Property: Decoration
From Lapis
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The inscription is integrated into the baptismal font, which is embedded in the northern side wall of the church. The stone container for the baptismal water is prominently highlighted in a semi-circular shape. Below the container is a head of an angel with wings, supporting the container, and above it is a shallow niche. At the bottom of the niche, there is an inscription carved in a rectangular field, with the letters painted in black. Above the inscription are wooden doors with a gilded trim, depicting the scene of Christ's baptism. At the top of the niche, the motif of the angel's head is repeated. Above it, there is a multi-profiled cornice, and in the center above the cornice is the family coat of arms (three dolphins in a circle) of the podestà Serena Sereni. The upper, vertical part of the baptismal font is adorned with colorful marble cladding. On the sides and at the top, the font is decorated with reliefs of vegetal motifs that form volutes. +
The inscription is located on a relief depicting the Lamb of God on one of the sides of the pulpit. The stone pulpit is situated along the northern side wall of the church. It stands on six pillars that end in Corinthian capitals, decorated with acanthus leaves that curl at the top, forming volutes. The pulpit is hexagonal. Five sides consist of enclosing panels, while the sixth side is open, serving as an entrance accessed by a stone staircase.
The panels of the pulpit are adorned with reliefs on the exterior. The first panel features a depiction of a cross with vegetal motifs (vine). The next panel is decorated with floral and leaf motifs, and in front of it stands a stand for a book. The small column supports an eagle (the symbol of St. John the Evangelist) with outspread wings, on which the book stand leans.
The following panel depicts St. Sophia as the protector of Dvigrad, holding models of two cities in her hands. The fourth panel contains a depiction of the Lamb of God (Agnus Dei), which holds a triumphant banner shaped like a cross. The last panel faces inward and is not visible from the outside; it depicts the Virgin Mary on a throne. In her right hand, she holds a book, while with her left, she holds the Child Jesus on her lap, who is holding an apple in his hand. +
The inscription is located on a semi-circular stoup fixed to the wall. It runs along the upper edge of the vessel for blessed water, while the year (inscribed in Arabic numerals) is carved on the outside. Inside the vessel, at the bottom, there is a Greek cross. +
The inscription is located on the altar (of St. Peter?) raised on steps. It is carved on a rectangular subpedaneum, above which rises a rectangular stipes covered with multicolored marble inlays. The letters of the inscription are painted in black. +
The inscription is located on the rood screen of the church, divided in half, with parts on both the left and right sides. It runs along the multi-profiled beam of the rood screen, which rests on pilasters and columns. +
The inscription is located within a lunette built together with the door, whose profiled lintel with dentils and pilasters serving as doorposts shows typical features of the 16th-century Renaissance. +
The inscription is on a window, secondary installed in the garden wall of the parish house. The window is in the form of sharp-edged eliptic ring, with profiling on both the inner and outer sides of the frame. Radially arranged lines are carved on the shorter, side edges. The inscription is located within a rectangular field placed on the upper side of the window frame. Two metal bars are installed in a cross pattern within the opening. +
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The inscription plaque has a profiled edge, rounded at the corners. There's a quatrefoil motif on the rounded corners, and undefined symbols (coats of arms) on both sides of the inscription field. +
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The inscription plaque is embedded in the wall above the main entrance on the western facade of the church. The inscription field is recessed and bordered by a double-profiled, simple edge. The inscription is centered, and the letters are painted in black. Above the plaque, there is a multi-profiled cornice that steps downwards. +
The inscription with the carved year (arabic numerals) is located on one of the profiled rings of the baptismal font. The font is situated in the western part of the church interior, on the southern side after the entrance.
The freestanding stone baptismal font consists of a square pedestal decorated on all sides with geometric motifs in relief. It supports a column with a profiled base, and on the column rests the basin for blessed water.
The stone basin in the lower part is decorated with radiating depressions resembling a flower or shell motif. In the upper part, the basin is multiple-profiled. One of the rings features a beaded astragal motif, while the other has the carved year. The upper edge of the basin is adorned with a decoration of beaded petals in shallow relief. +
The inscription, in very poor condition, is carved into a rectangular gravestone in the floor. The inscription is located in the central oval field, surrounded by geometric inlays of multicolored marble that form a frame. +
The inscriptions are on scrolls held by angel sculptures, positioned on the sides of the altar of St. Euphemia. The altar is placed on three steps. The rectangular stipes on the front edge is decorated with reliefs of two putto holding martyr's palms, while in the center of the stipes there is a cartouche made of vines. Above the stipes is the altar retable. In the central niche, framed by six columns with Corinthian capitals, stands the Gothic statue of St. Euphemia. The saint is crowned and dressed in a tunic and cloak. In her left hand, she holds a model of the town of Rovinj, while with her right she supports a spiked wheel (a symbol of her martyrdom). The columns of the altar bear beams above which is a broken pediment featuring sculptures of two seated angels, with a putto in the middle. The statues of standing angels holding scrolls with inscriptions are located on the outer sides of the columns, on rectangular pedestals. +
The monogram of Christ in the center of the lintel, inserted between Roman numerals indicating the year. +
The rectangular graveslab is divided in two parts, one with the crest in form of a shild wth a hand holding scepter, and the other with a inscription in three lines. +
The smooth-bodied stone font is located in a niche near the entrance. It has a base designed like a pear-shaped baluster that stands on a polygonal pedestal with sides decorated with shallow simple cartouches. On the side facing the church, the year 1796 is carved in Roman numerals. +
The southern side of the monument - above the inscription, in the upper part of the square column, is a deeper relief depicts Saint Euphemia carved within a niche, under a canopy.
The northern side of the monument - above the inscription, a depiction of a hill with a double cross is shown in shallow relief. +
The tabernacle is designed in the form of an altar relief with two pilasters and a door in the central part. The altar is closed with a semi-mournful lunette in which reliefs of the cross on Golgotha, an olive branch and a T cross between two trees are made. Some details are additionaly painted with silver paint. +
The tabernacle is made in the form of an altar relief with pilasters and a door in the central part. Above the door is an inscription in abbreviations. The altar is closed with a semi-mournful lunette in which are reliefs of the cross on Golgotha, a vessel (probably wine) and a ostensorium probably containing holy bread. +