PP-21.1.3: Difference between revisions
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{{Opis natpisa|PP-21.1.3.|Poreč-Pula|Rovinj-Kanfanar Deanery|Svetvinčenat||church|45.0878348515309, 13.882570880467405|side altar of the Blessed Sacrament||1555-01-01|1555-01-01|Tulić 2017.|not damaged|| | {{Opis natpisa|PP-21.1.3.|Poreč-Pula|Rovinj-Kanfanar Deanery|Svetvinčenat|Navještenja BDM (Svetvinčenat)|church|45.0878348515309, 13.882570880467405|side altar of the Blessed Sacrament||1555-01-01|1555-01-01|Tulić 2017.|not damaged||rectangular|273|60|1800|3750|0|The altar of the Blessed Sacrament is designed as a shallow relief altar of architectural type. The main part of its construction are the columns bordered by two pilasters filled with various decorations. The inner pilasters support a triumphal arch in whose triangular segments are angels with chalices. Through the arch one enters a space resembling a chapel vaulted by a dome, an effect created by perspective shortening with which especially helps the motif of the tiles on the floor that are geometrically shortened. Two angels with censers are also sculptured in this space and at its end is a carved tabernacle in the form of a small altar, under whose doors the two little leaves are carved in front and at the end of MDLX inscription. Nina Kudiš Burić wrote an article about this altar claiming it is a copy of the contemporary altar in the chapel of the Blessed Sacrament in venetian church San Trovaso made by workshop of Jacopo Sansovino in colaboraton with Alessandro Vittorio.|Latin||capitals|30|30|1|{{flos}} 1 · 5 · 55 {{flos}}|1555|1555|Nina Kudiš Burić published an article about this altar. | ||
- in: Oltari presvetog Sakramenta u Savičenti i Osoru: problemi konteksta, tipologije, uzora i autora, Renesansa i renesanse u umjetnosti Hrvatske, Zagreb: Institut za povijest umjetnosti ; Odsjek za povijest umjetnosti Filozofskog fakulteta Sveučilišta u Zagrebu, 2008. pp 297-312. | - in: Oltari presvetog Sakramenta u Savičenti i Osoru: problemi konteksta, tipologije, uzora i autora, Renesansa i renesanse u umjetnosti Hrvatske, Zagreb: Institut za povijest umjetnosti ; Odsjek za povijest umjetnosti Filozofskog fakulteta Sveučilišta u Zagrebu, 2008. pp 297-312. | ||
Damir Tulić published a scheda about the altar. | Damir Tulić published a scheda about the altar. | ||
- in: Umjetnička baština istarske crkve - Kiparstvo 2 / Patrimonio artistico della chiesa istriana - Scultura 2, 2017, p. 216-219.|Svetvincenat crkva Navještenja Marijinog oltar Presvetog Sakramenta 21.1.3-1.jpg||Sunčica Mustač|2024-12-21 12:52:29 PM | - in: Umjetnička baština istarske crkve - Kiparstvo 2 / Patrimonio artistico della chiesa istriana - Scultura 2, 2017, p. 216-219.|Svetvincenat crkva Navještenja Marijinog oltar Presvetog Sakramenta 21.1.3-1.jpg, Svetvincenat crkva Navještenja Marijinog oltar Presvetog Sakramenta 21.1.3-2.jpg||Sunčica Mustač|2024-12-21 12:52:29 PM | ||
}} | }} | ||
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Latest revision as of 13:49, 10 February 2025
Basic data
ID | PP-21.1.3. |
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Diocese | Poreč-Pula |
Deanery | Rovinj-Kanfanar Deanery |
Parish | Svetvinčenat |
Building | Navještenja BDM (Svetvinčenat) |
Building type | church |
Coordinates | 45° 5' 16.21" N, 13° 52' 57.26" E |
Position in building | side altar of the Blessed Sacrament |
Original location | |
Earliest date | 1555-01-01 |
Latest date | 1555-01-01 |
Previous edition(s) | Tulić 2017. |
Description
State of preservation | not damaged |
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Material | |
Shape | rectangular |
Field width | 273 |
Field height | 60 |
Carrier width | 1800 |
Carrier height | 3750 |
Carrier depth | 0 |
Decoration | The altar of the Blessed Sacrament is designed as a shallow relief altar of architectural type. The main part of its construction are the columns bordered by two pilasters filled with various decorations. The inner pilasters support a triumphal arch in whose triangular segments are angels with chalices. Through the arch one enters a space resembling a chapel vaulted by a dome, an effect created by perspective shortening with which especially helps the motif of the tiles on the floor that are geometrically shortened. Two angels with censers are also sculptured in this space and at its end is a carved tabernacle in the form of a small altar, under whose doors the two little leaves are carved in front and at the end of MDLX inscription. Nina Kudiš Burić wrote an article about this altar claiming it is a copy of the contemporary altar in the chapel of the Blessed Sacrament in venetian church San Trovaso made by workshop of Jacopo Sansovino in colaboraton with Alessandro Vittorio. |
Language(s) | Latin |
Prosodic form | |
Lettering style | capitals |
Minimum letter height: | 30 |
Maximum letter height: | 30 |
Number of lines: | 1 |
Interpretive transcription and translation
Interpretive transcription: | {{flos}} 1 · 5 · 55 {{flos}} |
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Translation (hr) | 1555 |
Translation (en) | 1555 |
Other
Notes | Nina Kudiš Burić published an article about this altar.
- in: Oltari presvetog Sakramenta u Savičenti i Osoru: problemi konteksta, tipologije, uzora i autora, Renesansa i renesanse u umjetnosti Hrvatske, Zagreb: Institut za povijest umjetnosti ; Odsjek za povijest umjetnosti Filozofskog fakulteta Sveučilišta u Zagrebu, 2008. pp 297-312. Damir Tulić published a scheda about the altar. - in: Umjetnička baština istarske crkve - Kiparstvo 2 / Patrimonio artistico della chiesa istriana - Scultura 2, 2017, p. 216-219. |
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Critical apparatus | |
Responsible user | Sunčica Mustač |
Timestamp | 2024-12-21 12:52:29 PM |
Bare text |
Map
Gallery
Diplomatic transcription
۞ M · D · L · V ۞