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- PP-31.1.2 + (The inscription is located within a stone … The inscription is located within a stone tabernacle embedded in the wall of the northern aisle of the church. The tabernacle originates from an earlier church. Traces of color are visible on it, suggesting that the tabernacle, in addition to its relief decorations, was originally adorned with painting. The upper part of the tabernacle has a compartment (with metal doors) framed by a wreath of vine, and at the corners, in medallions, are symbols of the four evangelists. To the left and right of the compartment, there is a shallow niche, vaulted with a shell-shaped dome and a cupola, bordered by small columns. Next to the niches, there is a half-column and a pilaster, and above them stretches a wreath made of two rows of leaves. The lower part of the tabernacle is occupied by an inscription, executed on a scroll, which is supported by two naked angels.</br>The lower part is almost cracked in the center, and the crack is filled with a bonding material.</br></br>Text justified left and right. material. Text justified left and right.)
- X-M.1.15 + (The plaque is fragmented and consists of t … The plaque is fragmented and consists of three pieces that connect. A profiled edge, with rounded inlets at the corners, frames the inscription. On each rounded corner, there is a shallowly carved quatrefoil. On both sides, to the left and right of the seventh line, there are engraved undefined symbols (coats of arms) with a crown on top and stars inside the shield.</br></br>The text is centered. inside the shield. The text is centered.)
- X-M.1.6 + (The rectangular inscription field, slightl … The rectangular inscription field, slightly raised, is located in the middle of the square plaque. The plaque had previously been damaged and broken into four pieces. In some areas of subsequent repairs, certain letters are harder to read.</br></br>'A' with bent sharped crossbar; 'I' with dot above.bent sharped crossbar; 'I' with dot above.)
- PP-18.17.1 + (The text follows an arc trajectory, with i … The text follows an arc trajectory, with irregular letters and almost <i>scriptio continua</i>.</br></br>The quotation is from Ps 71,1</br></br>The chapel also bears two inscriptions in Croatian: </br>VJERA LJUBAV NADA = Faith, love, hope</br>U SPOMEN / ISUSOVOG / UKAZANJA / 1930 = In the memory of Jesus' apparition in 1930.</br></br>The chapel dates from 2021 and commemorates an apparition of Jesus to the local pastor in 1930.</br>The Latin part comes from the chapel of Sv. Rok?:</br>"Na izgradnju kapelice Meden je potaknut kada je od Marija Jelenića iz obližnjeg sela dobio kameni vijenac s nekadašnje kapelice sv. Roka, vijenac koji donosi simbole Presvetog Trojstva, dva lica s raspelom u sredini, te latinski natpis „In te, Domine, speravi, non confundar in etern“. Nova kapelica dimenzija je 100x150x220cm, zidana je i prekrivena kamenom. U oknu kapelice dominira gipsani odljev Presvetog Lica Isusova kojeg je izradio osobno Anton Meden. Lice je posvema bijelo a samo su oči koloristički naglašene, te je uokvireno tamnom aureolom od crvenog granita. Od ostalih ornamentalnih elemenata kapelicu resi hrvatski pleter, a kamena baza nadsvođenog djela donosi riječi „Ljubav, vjera, nada“." (https://www.biskupija-porecko-pulska.hr/blagoslov-kapelice-krajputasice-4/)</br></br>The pastor Marco Zelco (1893 - 1944) was hanged by the Nazis in the World War II, while his successor Miroslav Bulešić (1920 - 1947) was murdered by the communists.</br></br>See:</br>https://www.glasistre.hr/knjizevnost/2024/10/21/-962628</br>https://www.glas-koncila.hr/nepoznato-euharistijsko-cudo-iz-kanfanara-mucenik-marko-zeljko-na-bozic-je-u-hostiji-ugledao-spasitelja/</br>https://www.glasistre.hr/istra/2023/09/25/supruga-lokalnog-ribara-iz-pirana-u-travnju-1934-godine-zbog-neobicnog-fenomena-privukla-je-pozorno-886599-neobicnog-fenomena-privukla-je-pozorno-886599)
- PP-18.16.1 + (The text is centered, in small capitals (only proper names, beginning of the inscription and 'DOMINE DEVS' are large). The letters were filled with black ink, which is partly preserved.)
- PP-19.1.13 + (The text is centered, the letters are painted in black; the paint is partly preserved. Chronogram is incorporated in final two lines.)
- PP-18.1.3 + (The text is centered. Letters are small capitals, the beginning of every word is capitalised. Nedostaju dimenzije.)
- PP-18.1.4 + (The text is centered. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
- PP-18.1.5 + (The text is centered. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
- PP-19.1.8 + (The text is left and right justified. The letters are painted in black, teh fild is in dirty uneven white and brown colour. The script is small capitals, with large initials. Cf. Mt 11,30)
- PP-21.2.3 + (The tomb of Petar Stanković's brother Mart … The tomb of Petar Stanković's brother Martin, a doctor, who was politically active during the French rule, having become the mayor of the municipality of Barban in 1808.<sup>2)</sup> Petar Stanković (1771 – 1852) was a very important Istrian intelectual in the first half of the 19th century.</br>The monument is in the form of an aedicule with a triangular gable. Along the triangular conclusion of the gable on the lower side is a cymation, and on the upper side are acroteria in the form of spherical triangles.</br></br>Centered text, very regular capital with enlarged initial letters of NICHIL and of all words from EGO to DOCTOR except for AC. Punctuation is modern.</br></br><sup>1)</sup> Cic., Cato 74: "Moriendum enim certe est, et incertum an hoc ipso die."</br></br><sup>2)</sup> [[:Lukšić 1994|Lukšić 1994]]: 118, [[:Kontošić 2014|Kontošić 2014]]: 97, n. 1.šić 2014|Kontošić 2014]]: 97, n. 1.)
- PP-14.1.2 + (The tombstone in the floor, in front of th … The tombstone in the floor, in front of the sanctuary and altar on the southern side wall. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is square. The plaque is partially damaged with a worn surface. Two metal loops for lifting are preserved.</br>The text is justified left and right, so that in lines 2, 3 and 4 the words are disproportionatelly separated.e words are disproportionatelly separated.)
- PP-19.19.3 + (The year 1592, carved into the lintel abov … The year 1592, carved into the lintel above the entrance door, marks the year when a covered porch was added to the church and the facade was repaired.</br></br>The first and the last lines are centered, the middle lines are justified left and right. </br></br>The text is in small capitals with large initials, with no blank spaces between words.</br></br>'I' has a dot above, '1' is shaped like 'I'.' has a dot above, '1' is shaped like 'I'.)
- X-M.1.14 + (Two fragments of the inscription plaque. On the right fragment, the surface is very worn and this part of the inscription is almost illegible. The text is centered.)
- PP-18.1.2 + ([[https://www.dvegrajci.hr/zupna-crkva-sv- … [[https://www.dvegrajci.hr/zupna-crkva-sv-silvestra-kanfanar/ Reference]]</br></br>The text is centered, written in small capitals (only the first letter of the inscription is larger; 'J' is extended below the baseline). The letters are filled with well preserved black ink. are filled with well preserved black ink.)
- PP-31.13.1 + (do natpisa nismo mogli doći, već smo ga slikali izvana; u slovima je crna boje, trapezoidnog oblika Centered. Made by a famous self-taught artist.)
- PP-31.5.4 + (natpis je nečist i teško dostupan, tako da se ne može valjano izmjeriti https://vodnjandignano.com/en/lady-of-carmel/stranica/64 https://crsrv.org/PDF/Atti/Atti-13/Giovanni-Radossi-Stemmi-di-rettori-e-di-famiglie-notabili-di-Dignano-d-Istria.pdf)
- PP-31.1.4 + (natpis je zbog skela teško dostupan i zato se ne može izmjeriti Centered text, coloured in black, colour is preserved, some lines are larger)
- PP-31.1.6 + (natpis zbog visine nije bilo moguće izmjeriti, a zbog oštećenosti slova ne može se u potpunosti pročitati Text centered, 'A' with a bent pointed crossbar. Larger are first letters of names and emperor's attributes.)
- PP-31.6.3 + (okvir je profiliran prema van Centered text, red and black ink in letters partly faded.)
- PP-8.1.5 + (ref. Filantropija...? 2016, str. 16 Justified left. 'A' with bent pointed crossbar.)
- PP-18.13.3 + (ref. [[:Radossi 1995|Radossi 1995]]: 144 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
- PP-31.20.2 +
- PP-31.4.1 + (slova su bila ispunjena bojom, ali je boja uglavnom otpala; u jednom kutu malo oštećenje Centered text. Letters were coloured, but the ink is mostly washed away.)
- PP-18.15.4 + (the inscription field is created by flatte … the inscription field is created by flattenning the middle part of the stone.</br></br>First two lines are justified to the left (but with a margin), while the third line is centered.</br></br>'A' has a downward-bent pointed crossbar. '5' is 'S'-shaped. 'I' has a dot above.</br></br>Nedostaju dimenzije.'I' has a dot above. Nedostaju dimenzije.)
- PP-31.20.2 + (romboidno okrenuto, svako I ima točku, tj. minuskulno je; u slovima je dobro očuvana boja duljine stranica: polje - 480 x 475, nositelj: 482 x 477 The text is centered. 'I' with a dot above. 'A' with bent crossbar.)
- PP-18.18.4 + ('A' has a downward-bent pointed crossbar.)
- PP-18.1.1 + ('A' has a downward-bent pointed crossline. Final 'IS' in 'CANONICIS' and 'O' in 'MAGISTRO' are superscript. Nedostaju dimenzije.)
- PP-19.1.35 + ('A' with bent crossbar.)
- X-M.1.4 + (A memorial plaque dedicated to Eleonor Pagello, Bishop of Pula. Letters after abbreviations rasied. 'A' with bent crossbar.)
- X-M.1.5 + (A memorial plaque dedicated to Giuseppe Maria Bottari, Bishop of Pula. Centered text. Small capitals with large initials.)
- X-M.1.9 + (A memorial plaque dedicated to Matteo Barbabianca, Bishop of Pula. Text centered.)
- PP-29.1.1 + (A simple stone custodia of rectangular sha … A simple stone custodia of rectangular shape with an arched opening in the middle and a triangular, multi-profiled pediment at the top. The year is carved above the arched opening, on both the left and right sides. The text is inscribed in the lower part, on the left and right sides, as well as below the opening. Without decoration. as below the opening. Without decoration.)
- PP-21.1.2 + (Boris Vučić Šneperger ([[:Vučić Šneperger 1995|Vučić Šneperger 1995]]: 339, n. … Boris Vučić Šneperger ([[:Vučić Šneperger 1995|Vučić Šneperger 1995]]: 339, n. 13) published the text with a transcription: </br>B * VICTORIAE * V* M * CORPVS*</br>IN * HANC * DEIPARAE * AEDEM *</br>EX * ALMA * VRBE * TRASLATVM *</br>KAL * IVN * MDCLXX</br>BARTH * PETRONIO * CO * CAP</br>IO * PET * ABB * TAIAPIERA * ARCH</br></br>Nina Kudiš ([[:Kudiš 2007|Kudiš 2007]]: 288, n. 14) published the text with an interpretative transcription made by Nenad Labus: </br>B(EATE) VICTORIAE V(IRGO) M(ARTIRI) CORPUS/ IN HANC DEIPARAE AEDEM/ EX ALMA VRBE TRANSLATVM/ KAL(ENDAE) IVN(II) MDCLXX/ BARTH(OLOMEUS) PETRONIO CO(MITE) CAP(ITANEO)/ IO(HANNES) PET(RUS) ABB(ATE) TAIAPIERA ARCH(IPRETE). </br></br>Damir Tulić ([[:Marković, Matejčić, Tulić 2017|Marković, Matejčić, Tulić 2017]]: 238-239) published a scheda with a transcription: B. VICTORIAE. V. M. CORPVS/ IN HANC DEIPARAE. AEDEM./ EX. ALMA. VRBE. TRANSLATVM./ KAL. IVN. MDCLXX./ BARTH. PETRONIO. CO. CAP./ IO. PET. ABB. TAIAPIERA. ARCH. </br></br>For the description of the altar, see PP-2.1.1.</br>Dark marble. Centered text, slightly irregular capitals, last two lines have a bit smaller letters. 'I' has a dot.</br></br>https://www.ceeol.com/search/book-detail?id=1221568eeol.com/search/book-detail?id=1221568)
- PP-31.5.3 + (Centered left and right, letters filled with partly faded ink. Small capitals with slightly larger initials.)
- PP-8.8.6 + (Centered text.)
- X-M.1.13 + (Centered text.)
- PP-8.4.4 + (Centered text.)
- PP-8.4.2 + (Centered text. Mt 16,18)
- PP-8.4.5 + (Centered text. Poredati ova četiri natpisa (8.4.2-8.4.5) tako da slijede smisao. From the Service of Consecration of a Church Building. Cf. Mt 7,24)
- PP-8.4.3 + (Centered text. Ps 93,5)
- PP-8.8.3 + (Centered text. 'A' with bent pointed crossbar. About Malpietro see https://hrcak.srce.hr/file/279247)
- PP-8.4.1 + (Centered text. The upper line double as high as the lower one.)
- PP-31.5.2 + (Centered, letters partly faded. 'I' with dot, 'A' with bent crossbar.)
- PP-8.3.5 + (Centered.)
- PP-8.3.6 + (Centered. Small capital. Letters after abbreviations raised and smaller. 'I' with a dot.)
- X-O.2.1 + (Crkva je srušena polovicom 20. st., a natpis je zajedno s preslicom ugrađen u zid privatne kuće. Zbog nedostupnosti ga nismo mogli izmjeriti. The text is centered.)
- PP-19.16.1 + (First line centered, other lines justified left, last line a little indented. First line and first letter of 'IOSEPH' larger. 'I' has a dot above.)
- PP-23.1.1 + (For dating, see: https://www.infofazana.hr … For dating, see: https://www.infofazana.hr/istrazi-fazanu/otkrij-fazanu/camino/camino-fazana/zupna-crkva-sv-kuzme-i-damjana/</br>Check the dating of the inscription, which might be older (the portal is gothic, [[:Milotić 2010|Milotić 2010]]: 93).</br></br>'A' with downward-bent crossbar and a horizontal bar at the top. crossbar and a horizontal bar at the top.)
- PP-8.8.7 + (In the center of the slab is a square inscription field, the corners of which are circularly cut inward. Small capitals. 'A' with bent pointed crossbar.)
- PP-19.1.14 + (Inscription has superficial damage which r … Inscription has superficial damage which renders some letters illegible. Letters are filled with partly preserved ink. The text is centered.</br></br>Neće ući u katalog jer je na talijanskom; vjerojatno se može pročitati, ali samo na licu mjesta ili s boljim fotografijama.na licu mjesta ili s boljim fotografijama.)