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- PP-19.1.13 + (The text is centered, the letters are painted in black; the paint is partly preserved. Chronogram is incorporated in final two lines.)
- PP-18.1.3 + (The text is centered. Letters are small capitals, the beginning of every word is capitalised. Nedostaju dimenzije.)
- PP-18.1.4 + (The text is centered. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
- PP-18.1.5 + (The text is centered. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
- PP-19.1.8 + (The text is left and right justified. The letters are painted in black, teh fild is in dirty uneven white and brown colour. The script is small capitals, with large initials. Cf. Mt 11,30)
- PP-21.2.3 + (The tomb of Petar Stanković's brother Mart … The tomb of Petar Stanković's brother Martin, a doctor, who was politically active during the French rule, having become the mayor of the municipality of Barban in 1808.<sup>2)</sup> Petar Stanković (1771 – 1852) was a very important Istrian intelectual in the first half of the 19th century.</br>The monument is in the form of an aedicule with a triangular gable. Along the triangular conclusion of the gable on the lower side is a cymation, and on the upper side are acroteria in the form of spherical triangles.</br></br>Centered text, very regular capital with enlarged initial letters of NICHIL and of all words from EGO to DOCTOR except for AC. Punctuation is modern.</br></br><sup>1)</sup> Cic., Cato 74: "Moriendum enim certe est, et incertum an hoc ipso die."</br></br><sup>2)</sup> [[:Lukšić 1994|Lukšić 1994]]: 118, [[:Kontošić 2014|Kontošić 2014]]: 97, n. 1.šić 2014|Kontošić 2014]]: 97, n. 1.)
- PP-14.1.6 + (The tombstone in the floor, south side of … The tombstone in the floor, south side of the church. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is rectangular with a profiled edge and vegetal motifs on the inner side of the field. The ornament in shallow relief covers the entire surface of the plaque and the frame. The decoration consists of multiple-profiled edges, vegetal scrolls, and rosettes, with two larger eight-sided rosettes dominating below and above the inscription field. Metal pegs and grooves for two lifting loops are preserved.</br></br>All letters 'N' are slanted to the right (like 'M' without the final bar).he right (like 'M' without the final bar).)
- PP-19.19.3 + (The year 1592, carved into the lintel abov … The year 1592, carved into the lintel above the entrance door, marks the year when a covered porch was added to the church and the facade was repaired.</br></br>The first and the last lines are centered, the middle lines are justified left and right. </br></br>The text is in small capitals with large initials, with no blank spaces between words.</br></br>'I' has a dot above, '1' is shaped like 'I'.' has a dot above, '1' is shaped like 'I'.)
- PP-18.19.1 + (Tijekom posjeta nije bila vidljiva cijela ploča, potrebno je ponovno poslikati. [[:Radossi 1995|Radossi 1995]]: 174)
- X-M.1.14 + (Two fragments of the inscription plaque. On the right fragment, the surface is very worn and this part of the inscription is almost illegible. The text is centered.)
- PP-8.3.8 + (Vjerojatno noviji natpis.)
- X-M.1.8 + ([[:Radossi 1995|Radossi 1995]]: 199 Un fra … [[:Radossi 1995|Radossi 1995]]: 199</br>Un frammento lapideo trovato fra codesta maceri a, è costituito da un pilastri no con iscri zione: 1423 (?); in capo (esternamente) ad uno stemma, con ai lati due ini ziali D. e P Presumibilmente si tratta di uno dei sacerdoti della chiesa di S. Sofia, D(on) Il o D(omenico ?) Il P(ietrapelosa), come si arguisce dall 'arma a losanga bandata (c fr. in proposito C. BAXA, Blasonario). «(di) Pietrape/osa.</br>L'oggetto si conserva presso il Museo Archeologico deii ' Istria (Pota), nel Forte Bourguignon, n.ro inv. S 3795. Vedi B. MARUS IC, «Il complesso>>, p. 49.</br>Sada u novovjekovnoj zbirci.</br>Natpis se može datirati ili u 1423 ili u 1493, kako jako sliči natpisu PP-18.18.1 koji je datiran 1493 godinom i ima ista slova, možda je bolje datirati natpis u 1493. godinu., možda je bolje datirati natpis u 1493. godinu.)
- PP-18.1.2 + ([[https://www.dvegrajci.hr/zupna-crkva-sv- … [[https://www.dvegrajci.hr/zupna-crkva-sv-silvestra-kanfanar/ Reference]]</br></br>The text is centered, written in small capitals (only the first letter of the inscription is larger; 'J' is extended below the baseline). The letters are filled with well preserved black ink. are filled with well preserved black ink.)
- PP-31.5.4 + (natpis je nečist i teško dostupan, tako da se ne može valjano izmjeriti https://vodnjandignano.com/en/lady-of-carmel/stranica/64 https://crsrv.org/PDF/Atti/Atti-13/Giovanni-Radossi-Stemmi-di-rettori-e-di-famiglie-notabili-di-Dignano-d-Istria.pdf)
- PP-31.1.4 + (natpis je zbog skela teško dostupan i zato se ne može izmjeriti Centered text, coloured in black, colour is preserved, some lines are larger)
- PP-31.1.6 +
- PP-31.6.3 + (okvir je profiliran prema van Centered text, red and black ink in letters partly faded.)
- PP-31.6.4 + (okvir je profiliran prema van. Justified left, last word in the middle. Small capitals, only first letter in the inscription is larger. Letters coloured in red (initials) and black, black ink mostly faded comletely, red partly.)
- PP-31.25.1 + (prebojano, natpis ima boju In bottom right corner of the field.)
- PP-8.1.5 + (ref. Filantropija...? 2016, str. 16 Justified left. 'A' with bent pointed crossbar.)
- PP-18.13.3 + (ref. [[:Radossi 1995|Radossi 1995]]: 144 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
- PP-31.20.2 + (romboidno okrenuto, svako I ima točku, tj. minuskulno je; u slovima je dobro očuvana boja duljine stranica: polje - 480 x 475, nositelj: 482 x 477 The text is centered. 'I' with a dot above. 'A' with bent crossbar.)
- PP-31.4.1 + (slova su bila ispunjena bojom, ali je boja uglavnom otpala; u jednom kutu malo oštećenje Centered text. Letters were coloured, but the ink is mostly washed away.)
- PP-18.15.4 + (the inscription field is created by flatte … the inscription field is created by flattenning the middle part of the stone.</br></br>First two lines are justified to the left (but with a margin), while the third line is centered.</br></br>'A' has a downward-bent pointed crossbar. '5' is 'S'-shaped. 'I' has a dot above.</br></br>Nedostaju dimenzije.'I' has a dot above. Nedostaju dimenzije.)
- PP-31.15.1 + (u Neginu; privatna crkva natpis se zbog visine i nedostupnosti nije mogao izmjeriti Latin cross raising from 'H'.)
- PP-31.1.6 + (natpis zbog visine nije bilo moguće izmjeriti, a zbog oštećenosti slova ne može se u potpunosti pročitati Text centered, 'A' with a bent pointed crossbar. Larger are first letters of names and emperor's attributes.)
- PP-18.1.1 + ('A' has a downward-bent pointed crossline. Final 'IS' in 'CANONICIS' and 'O' in 'MAGISTRO' are superscript. Nedostaju dimenzije.)
- PP-18.18.4 + ('A' has a downward-bent pointed crossbar.)
- PP-19.1.35 + ('A' with bent crossbar.)
- PP-21.2.1 + (<sup>a)</sup>Small letters "ET … <sup>a)</sup>Small letters "ETE" are incarved above the first line, but with the function of sufix of the word VIVE(N)TE in the first row. </br><sup>b)</sup>Small letter "S" with the function of sufix is incarved between MARTINO in the first row and HER in the second row.carved between MARTINO in the first row and HER in the second row.)
- PP-31.21.1 + (A larger blank space after the year.)
- X-M.1.4 + (A memorial plaque dedicated to Eleonor Pagello, Bishop of Pula. Letters after abbreviations rasied. 'A' with bent crossbar.)
- X-M.1.5 + (A memorial plaque dedicated to Giuseppe Maria Bottari, Bishop of Pula. Centered text. Small capitals with large initials.)
- X-M.1.9 + (A memorial plaque dedicated to Matteo Barbabianca, Bishop of Pula. Text centered.)
- PP-21.1.2 + (Boris Vučić Šneperger ([[:Vučić Šneperger 1995|Vučić Šneperger 1995]]: 339, n. … Boris Vučić Šneperger ([[:Vučić Šneperger 1995|Vučić Šneperger 1995]]: 339, n. 13) published the text with a transcription: </br>B * VICTORIAE * V* M * CORPVS*</br>IN * HANC * DEIPARAE * AEDEM *</br>EX * ALMA * VRBE * TRASLATVM *</br>KAL * IVN * MDCLXX</br>BARTH * PETRONIO * CO * CAP</br>IO * PET * ABB * TAIAPIERA * ARCH</br></br>Nina Kudiš ([[:Kudiš 2007|Kudiš 2007]]: 288, n. 14) published the text with an interpretative transcription made by Nenad Labus: </br>B(EATE) VICTORIAE V(IRGO) M(ARTIRI) CORPUS/ IN HANC DEIPARAE AEDEM/ EX ALMA VRBE TRANSLATVM/ KAL(ENDAE) IVN(II) MDCLXX/ BARTH(OLOMEUS) PETRONIO CO(MITE) CAP(ITANEO)/ IO(HANNES) PET(RUS) ABB(ATE) TAIAPIERA ARCH(IPRETE). </br></br>Damir Tulić ([[:Marković, Matejčić, Tulić 2017|Marković, Matejčić, Tulić 2017]]: 238-239) published a scheda with a transcription: B. VICTORIAE. V. M. CORPVS/ IN HANC DEIPARAE. AEDEM./ EX. ALMA. VRBE. TRANSLATVM./ KAL. IVN. MDCLXX./ BARTH. PETRONIO. CO. CAP./ IO. PET. ABB. TAIAPIERA. ARCH. </br></br>For the description of the altar, see PP-2.1.1.</br>Dark marble. Centered text, slightly irregular capitals, last two lines have a bit smaller letters. 'I' has a dot.</br></br>https://www.ceeol.com/search/book-detail?id=1221568eeol.com/search/book-detail?id=1221568)
- PP-31.5.3 + (Centered left and right, letters filled with partly faded ink. Small capitals with slightly larger initials.)
- PP-8.8.6 + (Centered text.)
- PP-8.4.4 + (Centered text.)
- X-M.1.13 + (Centered text.)
- PP-8.4.2 + (Centered text. Mt 16,18)
- PP-8.4.5 + (Centered text. Poredati ova četiri natpisa (8.4.2-8.4.5) tako da slijede smisao. From the Service of Consecration of a Church Building. Cf. Mt 7,24)
- PP-8.4.3 + (Centered text. Ps 93,5)
- PP-8.8.3 + (Centered text. 'A' with bent pointed crossbar. About Malpietro see https://hrcak.srce.hr/file/279247)
- PP-8.4.1 + (Centered text. The upper line double as high as the lower one.)
- PP-31.5.2 + (Centered, letters partly faded. 'I' with dot, 'A' with bent crossbar.)
- PP-8.3.5 + (Centered.)
- PP-8.3.6 + (Centered. Small capital. Letters after abbreviations raised and smaller. 'I' with a dot.)
- X-O.2.1 + (Crkva je srušena polovicom 20. st., a natpis je zajedno s preslicom ugrađen u zid privatne kuće. Zbog nedostupnosti ga nismo mogli izmjeriti. The text is centered.)
- PP-4.2.1 + (Crkva se nalazi u Kostanjici, u blizini lo … Crkva se nalazi u Kostanjici, u blizini lokve.</br></br>Natpis je fragmentarno sačuvan i ugrađen u pročelje crkve naopako.</br></br>Ne ulazi u katalog.</br></br>Pročelje – natpis spominje sv. Mariju i Kostanjicu</br> - 1300. gotica</br> - uzidan naopako pri preuređenju u 2. ½ 17.st </br></br>- gradnja crkve povezana je s pulskom katedralom</br> </br>- CHASTAGNO MARIA</br>- Sveci relikvije u pulskoj katedrali </br> - 2. i 3. red: BAXEIO SALAMON DIMITRI </br>(Blaž, Salomon, Demetrije)</br>- dio koji nedostaje: Flor, Juraj, Teodor</br></br>Ispod glavnog oltara pulske katedrale 5 relikvijara </br>- sv. Jurja, solinski biskupi- mučenici </br>- sv. Teodora, solinski biskupi- mučenici </br>- sv. Dimitrija, (Sirmij?)</br>- sv. Bazilija, priznavaoc</br>- sv. Flora i </br>- bl. Salomona, bivšega ugarskog kralja</br></br>Kada je i u kojim okolnostima naručena gradnja crkve i njezino uređenje nije poznato, ali ona je bila na neki način usko povezana s pulskom katedralom. O tome svjedoči u zapadno pročelje crkve uzidan naopako okrenut natpis na okrugloj gotici kojemu nedostaju lijevi, desni i gornji dio, i koji spominje Kostanjicu kao CHASTAGNO. Autor natpisa spominje svece čije se relikvije nalaze u pulskoj katedrali pa u drugom i trećem redu kleše: … BAXEIO • SALAMON … DIMITRI • zazivajući sv. Blaža, sv. Salomona, sv. Demetrija; u otkrhnutom dijelu vjerojatno je zazivao i sv. Flora, sv. Jurja i sv. Teodora u. U posljednjem se redu spominje titular naše crkve - MARIA. Ovako fragmentaran našao se vjerojatno u pročelju crkve prilikom novog preuređenja u drugoj polovini 17. stoljeća.reuređenja u drugoj polovini 17. stoljeća.)
- PP-18.19.2 + (Dio nekadašnje oltarne pregrade u crkvi Sv. Silvestra u Kanfanaru. Sličnu ogradu i natpis in situ nalazimo u crkvi Sv. Marije od Lakuća kod Dvigrada. U dva dijela.)
- PP-19.16.1 + (First line centered, other lines justified left, last line a little indented. First line and first letter of 'IOSEPH' larger. 'I' has a dot above.)