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List of results

PP-18.7.1 + (Nedostaju dimenzije.)
PP-21.1.3 + (Nina Kudiš Burić published an article abou … Nina Kudiš Burić published an article about this altar. - in: Oltari presvetog Sakramenta u Savičenti i Osoru: problemi konteksta, tipologije, uzora i autora, Renesansa i renesanse u umjetnosti Hrvatske, Zagreb: Institut za povijest umjetnosti ; Odsjek za povijest umjetnosti Filozofskog fakulteta Sveučilišta u Zagrebu, 2008. pp 297-312.Damir Tulić published a scheda about the altar.- in: Umjetnička baština istarske crkve - Kiparstvo 2 / Patrimonio artistico della chiesa istriana - Scultura 2, 2017, p. 216-219.a istriana - Scultura 2, 2017, p. 216-219.)
PP-31.5.1 + (Okrenuto romboidno Text centered; small capitals; all initials are large. Letters are filled with partly preserved ink. 'I' has a dot above, 'A' has a bent crossbar.)
PP-31.6.3 + (okvir je profiliran prema van Centered text, red and black ink in letters partly faded.)
PP-31.6.4 + (okvir je profiliran prema van. Justified left, last word in the middle. Small capitals, only first letter in the inscription is larger. Letters coloured in red (initials) and black, black ink mostly faded comletely, red partly.)
PP-19.1.38 + (Only 'Q(VONDAM)' is Latin.)
PP-8.3.9 + (Oreb (1960.) u svom rukopisu "Natpisi i zn … Oreb (1960.) u svom rukopisu "Natpisi i znakovi na zidu crkve" spominje da je Jerolim Granić, tajnik provincije krajem 19. stoljeća vidio i zabilježio neke natpise koji više nisu vidljivi, među kojima donosi i ovaj natpis s jedne uništene grobnice koja se nalazila na podu crkve. (Oreb 1960.)ja se nalazila na podu crkve. (Oreb 1960.))
PP-23.4.3 + (PP-23.12 nadgrobna ploča prenesena iz crkve BDM Veli Brijun. v. [https://hrcak.srce.hr/file/74001 Članak o obitelji Samuelis])
X-O.1.3 + (PP-23.12 Originalno BDM Veli Brijun, sada uzidano u Brijunski kaštel. Justified left.)
PP-23.4.2 + (PP-23.13 Ulomak nadgrobne ploče člana obitelji Petri, 1535., crkva Sv. Antuna, Brijuni ([[:Krnjak, Radossi 2002|Krnjak, Radossi 2002]]). Je li Petri (Petrus) ime, a ...IGO prezime?)
X-O.1.2 + (PP-23.4 Originalno Sv. German, sada uzidano u Brijunski kaštel.)
X-O.1.1 + (PP-23.4 Originalno Sv. German, sada uzidano u Brijunski kaštel. Grb obitelji Frangini.)
PP-31.25.1 + (prebojano, natpis ima boju In bottom right corner of the field.)
PP-18.19.3 + (Prijašnji prozor sakristije Sv. Silvestra u Kanfanaru. Nedostaju dimenzije.)
PP-8.1.1 + (Prijevod i fotografija su preuzeti sa stra … Prijevod i fotografija su preuzeti sa stranice Istarska kulturna baština Pomorskog i povijesnog muzeja Istre: [https://www.ppmi.hr/hr/patrimonio/katalog-predmeta/item/548/ link]Potrebno je provjeriti prijevod, te provjeriti prava za fotografiju.'R' is abbreviated with a double arch above a letter.1)</ Virgin Mary, whose relics are not preserved in the church.irgin Mary, whose relics are not preserved in the church.)
X-M.1.16 + (Raised inscription surface. Recessed edge of the plaque. A memorial plaque dedicated to Alojzije Marcello, Bishop of Pula. The text is centered.)
PP-14.1.1 + (Rectangle with rather large round concave … Rectangle with rather large round concave cutouts in the corners. The tombstone in the floor, next to the main entrance. The square plaque is inserted within a frame of the same shape, and in the center, there is an inscription field. The inscription field is square with softly recessed corners. It is partially damaged, with visible metal pegs and a worn surface. The text in the second and third lines starts to the righr of the pegs, which suggests that it was added after them.Letter 'I', which is capital in all places, has a dot above. 'A' has a downward bent andangled crossbar. Number '1' looks like a capital 'I' (without a dot). looks like a capital 'I' (without a dot).)
PP-31.1.3 + (Rectangular inscription with circular inle … Rectangular inscription with circular inlets in the corners, in which floral elements are added.Letters filled with well-preserved black paint. Text centered. Letters slightly irregular, entire names and initial letters of all words are in majuscule.Dragutin NEŽIĆ, Barbanski kraj u prošlosti: prigodom 270-godišnjice župne crkve u Barbanu, Barban 1971: 13Bertoša 2004: 71 Barbanu, Barban 1971: 13 Bertoša 2004: 71)
PP-19.1.15 + (Rectangular richly decorated inscription; inscription field is within an octagon 'A' with bent crossline.)
PP-8.1.5 + (ref. Filantropija...? 2016, str. 16 Justified left. 'A' with bent pointed crossbar.)
PP-18.13.3 + (ref. [[:Radossi 1995|Radossi 1995]]: 144 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
PP-31.20.2 + (romboidno okrenuto, svako I ima točku, tj. minuskulno je; u slovima je dobro očuvana boja duljine stranica: polje - 480 x 475, nositelj: 482 x 477 The text is centered. 'I' with a dot above. 'A' with bent crossbar.)
PP-8.3.4 + (See https://hrcak.srce.hr/file/351361)
PP-31.4.1 + (slova su bila ispunjena bojom, ali je boja uglavnom otpala; u jednom kutu malo oštećenje Centered text. Letters were coloured, but the ink is mostly washed away.)
PP-18.13.4 + (Slovo D je okrenuto zrcalno.)

PP-19.1.28 + (Small capitals with large 'S'.)

PP-18.15.1 + (Small capitals with large initials (except 'ET'). 'I' (and '1') has a dot above, 'A' has bent pointed crossbar. Nedostaju dimenzije.)
PP-19.1.44 + (Small capitals, initials are large. Word parts after abbreviations are superscript, as well as the vinal 'I' in 'UNIUERSI'.)
PP-19.1.6 + (Small capitals; chronogram letters (1735) are large.)
PP-18.13.1 + (Text is centered, in small capitals, all initials are capital.)
PP-18.13.2 + (Text is centered, in small capitals, all i … Text is centered, in small capitals, all initials are large.Dana 08. veljače 2025. godine pregledan natpis i ustanovljeno je da se ispod do sada registriranih 4 reda natpisa nalazi i peti red koji je jako oštećen, ali smo ga uspjeli rekonstruirati. Pogledaj da li je dobro označen diplomatički. Slova tog retka su manja od prethodna 4, iako pisana na isti način, nije nam jasno da li je dio istog natpisa.nije nam jasno da li je dio istog natpisa.)
PP-18.15.2 + (Text is justified left and right; the year … Text is justified left and right; the year is centered.Letter 'a' is similar to the reversed 'B', 't' has leftward-curved upper part, 'G' looks like 'ʕ', 'U' is squared, 'I' in 'CURLAVICH' and the second one in 'MIGLIJAS' is shaped like '1' . 'E' has and acute accent.The text ends with triple bar (≡), each preceded by a dot.Nedostaju dimenzije.h preceded by a dot. Nedostaju dimenzije.)
PP-18.10.1 + (The abbreviation can be Latin or Italian. Nedostaju dimenzije.)
PP-10.2.1 + (The acroterion at the top, in the middle o … The acroterion at the top, in the middle of the southwest facade of the church. The acroterion has the shape of a truncated pyramid on a square base, with a metal Latin cross at its top. The inscription is located on the front side of the acroterion.The church was dedicated on the All Saints' Day, November 1, 1931.The text is centered.The inscription was not measured because of the height.on was not measured because of the height.)
PP-21.1.1 + (The altar is placed in a protruding apse r … The altar is placed in a protruding apse raised by two steps. Its stipes are decorated with inlays of colorful marble. The altar is placed in a apse. In the central part of the altar is a painting made by Girolamo Pellegrini (1624 – after 1700) with a scene of the Annunciation. The altar is flanked with Corinthian columns that support a semicircular pediment with a central protruding console. The rear part of the altar is made of stone blocks, on which there are two donor inscriptions. The inscription on the south side is transcribed here. Kudiš believes that the altar was modeled after the one of Our Lady of the Rosary from the Paduan church of St. Anthony, work of Baldassare Longhena (1598 – 1682).1) Tulić agrees and adds similarities with the main altar of the Franciscan church in Zadar and with the former main altar of the church of San Daniele di Castello in Venice, but also similarities with the altars of Giuseppe Sardi and Alessandro and Paolo Tremignon.2) From this altar, a marble reliquary containing the remains of Saint Victoria was transferred to the altar of the Holy Sacrament in 1709, and arched passages were added to it in the mid-18th century. Arched passages left and right were added to the altar in the mid-18th century. This altar is considered to be the most significant 17th-century altarists work in the Diocese of Poreč and Pula.The text is centered. The first line (name) is larger than the rest. The letters are straight, but not entirely regular.'A' has a bent pointed crossbar. 'I' has a dot.Boris Vučić Šneperger ([[:Vučić Šneperger 1995|Vučić Šneperger 1995]]: 339, n. 13) published the text with a transcription: HERMOLAI * GRIMANIRELIGIOSA * MUNIF*ECCL * HANC * XP'I * SPONATAAN'VIS * DOTAVIT * REDITIBPLVRIMIS * DITAVIT * MUNERIBHVIVS Q'XARAE *PIA * DECORAVIT * ERECTIONENina Kudiš ([[:Kudiš 2007|Kudiš 2007]]: 288 n. 14) published the text with an interpretative transcription made by Nenad Labus: HERMOLAI GRIMANI/ RELIGIOSA MVNIF(ITIENTIA)/ ECCL(ESIAE) HANC XP(IST)I SPONATA (SUE SPONTAE)/ ANVIS DOTAVIT REDITIB(US)/ PLVRIMIS DITAVIT MVNERIB(US)/ HVIVSQ(UE) ARAE/ PIA DECORAVIT ERECTIONE. Davor Tulić ([[:Marković, Matejčić, Tulić 2017|Marković, Matejčić, Tulić 2017]]: 238-239) published a scheda with a transcription: HERMOLAI. GRIMANI/ RELIGIOSA MUNIF./ ECCL. HANC. XPI. SPONATA./ ANVES. DOTAVIT. REDITIB./ PLVRIMIS. DITAVIT. MVNERIB./ HVIVSQ. ARAE./ PIA. DECORAVIT ERECTIONE. He reads the name of the donator as Almorò Grimani.1) [[:Kudiš 2007|Kudiš 2007]].2) [[:Vučić Šneperger 1995|Vučić Šneperger 1995]].neperger 1995]].)
X-M.1.11 + (The architrave. It is located along the western wall of the space in front of the Franciscan Monastery Church of St. Francis in Pula. It is part of the collection of the Archaeological Museum of Istria. Triangle-formed '8'. 'A' without a crossbar.)
PP-4.1.1 + (The custodia is dated to the early 14th ce … The custodia is dated to the early 14th century. It is not located in its original place. The custodian is square-shaped with a triangular end. It is framed with multiple profiles and finishes with a depiction of an angel's bust at the top. The front side is painted brown. the top. The front side is painted brown.)
X-M.1.25 + (The dimensions of the upper fragment are 175 x 265 mm, and the lower fragment 185 x 240 mm. Ancient inscription?)
PP-10.3.4 + (The inscription commemorating dedication o … The inscription commemorating dedication of the church.Rectangular marble plaque with square extensions at the corners. The text is centered. The letters are engraved and painted in black (the paint peeled off in some places). Above the plaque is a relief decoration with volutes, made of limestone.ecoration with volutes, made of limestone.)
PP-18.15.4 + (the inscription field is created by flatte … the inscription field is created by flattenning the middle part of the stone.First two lines are justified to the left (but with a margin), while the third line is centered.'A' has a downward-bent pointed crossbar. '5' is 'S'-shaped. 'I' has a dot above.Nedostaju dimenzije.'I' has a dot above. Nedostaju dimenzije.)
PP-31.1.5 + (The inscription goes across two fields on … The inscription goes across two fields on separate stones and a smaller stone in the middle, which has only 'O' from 'D. O. M.' The right stone is overlaid by a modern partition in the direction top-bottom. The dimensions of the main fields are as indicated above; the middle one is 160x870.The text is centered. 'I' has a dot.At the bottom of each of the two main fields there is a skull with crossed bones.ields there is a skull with crossed bones.)
PP-18.16.2 + (The inscription is broken in two fragments … The inscription is broken in two fragments, the smaler one of which contains upper-right part. The upper-central triangle-shaped segment with a part of letter 'M' and almost entire letter 'E' in 'INSTRVMENTVM' is missing.The text is centered, the letters are small capitals (two first words begin with a large letter). Nedostaju dimenzije.th a large letter). Nedostaju dimenzije.)
PP-18.1.10 + (The inscription is carved on the altar are … The inscription is carved on the altar area, but it is obscured by a later-added marble tabernacle. The altar is raised on three steps. The altar’s base is decorated with marble inlays in geometric patterns. In the center of the mensa stands the tabernacle, behind which is the carved inscription. The arch of the altar retable is framed by two columns with Corinthian capitals, and behind them are pilasters that broaden at the bottom into volutes. The key stone bears the coat of arms of the patron, Viktor Ruffini. Above, a wreath extends, and at the very top, there is a divided semicircular pediment.Measures could not be taken because of inaccessibility.Nedostaju dimenzije. of inaccessibility. Nedostaju dimenzije.)
PP-3.2.1 + (The inscription is carved on the lintel of … The inscription is carved on the lintel of the simple church portal on the west facade. There is no decoration.The inscription is difficult to read, the surface of the lintel is worn.Possible transcription: NICOLO CANERICH F FThe church is a simple single-nave building with a gabled roof and a flat apse wall. The western facade features a simple portal with undecorated doorposts and a lintel (which contains an engraved inscription), as well as a bellcote for a single bell (which is missing). The bellcote at the top carries a metal cross. There is an arched window on the southern wall.It is not possible to enter the church as the door is nailed shut.ter the church as the door is nailed shut.)
PP-14.3.1 + (The inscription is carved on the stone pavement of the church, at the base of a rectangular tombstone without decoration, with two metal lifting loops.)
PP-14.1.3 + (The inscription is embedded in the wall ne … The inscription is embedded in the wall near the entrance to the sacristy. The plaque is rectangular with a single-profiled edge. The engraved letters are painted black, although in some places the paint has worn off.The text is written in small capitals with every word starting with a taller letter. Final 'S' in 'COMMVNITATIS', 'DOCVMENTIS' and 'COMMVNITAS', 'R' in 'VENERANTUR' and 'O' in 'LAVRENTIO' are superscript.The year is written in a curious mixture of Roman and Arabic numerals.Francesco Bartiroma, generalni vikar pulskog biskupa 1658?oma, generalni vikar pulskog biskupa 1658?)
PP-10.3.1 + (The inscription is located above the spire … The inscription is located above the spire (for the two missing bells) on the main facade of the church. It is placed on the front side of the square base situated at the center of the top of the spire, with a stone Latin cross at the top of the base. The upper part of the base is decorated with a row of interlocking teeth that continuously surround the entire base.The dimensions could not be taken because of the inaccessibility.The text is centered. The letters in 'VIRGINI' is about 1/3 taller than in other words.' is about 1/3 taller than in other words.)
PP-3.1.1 + (The inscription is located in the center o … The inscription is located in the center of the triumphal arch of the church, within an almost trapezoidal field with a molded edge. The letters of the inscription are carved and painted in black, while the remaining surface of the field, as well as the triumphal arch, are painted white. The inscription contains a text from the New Testament: "Behold, the tabernacle of God with men" (Revelation 21,3), along with the year of the church's construction, 1893. The church was built on the site of an older, smaller church with an adjacent cemetery and bell tower. At the end of the 19th century, the reconstruction of St. Agnes Church began, and the cemetery was relocated. The design for the new church was made by architect Andjelo Meyer in 1891. The church was constructed during the tenure of parish priest Andrea Bylica and was consecrated in 1894 by the Bishop of Poreč and Pula, Ivan Krstitelj Flapp. The church is a three-naved basilica with an apse and two bell towers. Both bell towers were completed in 1912.The inscription was not measured because of the height.on was not measured because of the height.)
PP-16.1.3 + (The inscription is located on the altar of … The inscription is located on the altar of St. Anthony of Padua, raised on steps. It is carved on a rectangular subpedaneum, above which rises the stipes. The subpedaneum, as well as the stipes and the upper part of the altar, are decorated with multicolored marble inlays.'A' has a downward-bent pointed crossbar. 'A' has a downward-bent pointed crossbar.)
PP-16.2.1 + (The inscription is located on the arch of … The inscription is located on the arch of the spire of the bell tower on the main facade of the church. The semicircular arch that supports the bell has gentle projections at the ends, and on the front sides, to the left and right of the inscription, there are floral motifs in relief. The pilasters of the spire are significantly damaged. At the top, in the center of the arch, there is a stone cross.Chapel is found in a private land in Ušićevi Dvori.Dimensions were not taken because of inaccessibility.The the inscription is above the bell in the bell-cot, arch-shaped.ove the bell in the bell-cot, arch-shaped.)
PP-16.1.1 + (The inscription is located on the keystone … The inscription is located on the keystone of the main portal of the church, at the top of the profiled gable that surmounts the semicircular, stepped arches of the entrance. The portal arches rest on columns on each side, which stand on square pedestals. The keystone is trapezoidal in shape and is split down the middle. The inscription is positioned in the lower half of the keystone. At the top, there is a stone Latin cross.Dimensions not taken because of the inaccessibility. not taken because of the inaccessibility.)