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List of results

PP-19.1.5 + (Natpisno polje i slova nisu izmjerena zbog visine. Small capitals; chronogram letters (1733) are large.)
PP-19.1.1 + (Natpisno polje i slova nisu izmjerena zbog visine. The text is centered, letters hare filled with black paint, partly preserved.)
PP-19.1.7 + (Natpisno polje i slova nisu izmjerena zbog visine. Black-painted engraved letters on the grey inscription plaque. The text is centered. Letters in the first line and the lanes with the Pope's Peteani's names are bold and larger.)
PP-19.1.4 + (Natpisno polje i slova nisu izmjerena zbog visine. a) The chronogram gives 1733.)
PP-19.1.2 + (Natpisno polje i slova nisu izmjerena zbog visine. The text is centered. Acronym in the first line is in largest letters; the names of the two saints are the second by size, 'RVBINENSES PIENTISSIMI' third, and then the rest.)
PP-19.1.3 + (Natpisno polje i slova nisu izmjerena zbog visine.)
PP-21.1.16 + (Ne mogu naći fotografiju; pregledati ponovno.)
X-M.1.17 + (Ne pripada katalogu jer je iz 13. st. It … Ne pripada katalogu jer je iz 13. st.It is located in the Franciscan Monastery Church of St. Francis in Pula. It is part of the collection of the Archaeological Museum of Istria.A plaque with an engraved cross, whose transverse horizontal beam (antenna) has rounded ends, and the ends of the vertical beam (patibulum) are not preserved. The inscription is inside the cross and in the left corner between the antenna and the patibulum. In the lower left corner, there is a depiction of a dog leaping towards the cross.Inscription along the horizontal beam: MAGISTER C/AMELLETO FEC(IT) HO(C) / PALA/(C)TI(O)UMInscription on the vertical beam: MARIA CISCA DOLTO (?) FECIT (FA/C)ERE HOC SERVI(C)I(O) ET REDEM(C)IONE A(NIM)E / SUEInscription in the corner between the beams: PALA/CIOThe plaque is dated to the 13th century.It was found among the materials of a house destroyed during the bombing in 1944, at the intersection of Benediktinske opatije Street (ex Via dell'Abbazia) and Flaciusova Street (Via Garibaldi).ia) and Flaciusova Street (Via Garibaldi).)
PP-19.1.22 + (Nečitko s fotografije. Na talijanskom, pa ne ulazi u katalog.)
PP-18.18.3 + (Nedostaju dimenzije i fotografija cijelog spomenika.)
PP-18.18.2 + (Nedostaju dimenzije. Natpis se nalazi unutar ili izvan crkve?)
PP-18.15.3 + (Nedostaju dimenzije.)
PP-18.4.3 + (Nedostaju dimenzije.)
PP-18.1.6 + (Nedostaju dimenzije.)
PP-18.4.2 + (Nedostaju dimenzije.)
PP-18.7.1 + (Nedostaju dimenzije.)
PP-21.1.3 + (Nina Kudiš Burić published an article abou … Nina Kudiš Burić published an article about this altar. - in: Oltari presvetog Sakramenta u Savičenti i Osoru: problemi konteksta, tipologije, uzora i autora, Renesansa i renesanse u umjetnosti Hrvatske, Zagreb: Institut za povijest umjetnosti ; Odsjek za povijest umjetnosti Filozofskog fakulteta Sveučilišta u Zagrebu, 2008. pp 297-312.Damir Tulić published a scheda about the altar.- in: Umjetnička baština istarske crkve - Kiparstvo 2 / Patrimonio artistico della chiesa istriana - Scultura 2, 2017, p. 216-219.a istriana - Scultura 2, 2017, p. 216-219.)
PP-31.5.1 + (Okrenuto romboidno Text centered; small capitals; all initials are large. Letters are filled with partly preserved ink. 'I' has a dot above, 'A' has a bent crossbar.)
PP-31.6.3 + (okvir je profiliran prema van Centered text, red and black ink in letters partly faded.)
PP-31.6.4 + (okvir je profiliran prema van. Justified left, last word in the middle. Small capitals, only first letter in the inscription is larger. Letters coloured in red (initials) and black, black ink mostly faded comletely, red partly.)
PP-19.1.38 + (Only 'Q(VONDAM)' is Latin.)
PP-8.3.9 + (Oreb (1960.) u svom rukopisu "Natpisi i zn … Oreb (1960.) u svom rukopisu "Natpisi i znakovi na zidu crkve" spominje da je Jerolim Granić, tajnik provincije krajem 19. stoljeća vidio i zabilježio neke natpise koji više nisu vidljivi, među kojima donosi i ovaj natpis s jedne uništene grobnice koja se nalazila na podu crkve. (Oreb 1960.)ja se nalazila na podu crkve. (Oreb 1960.))
PP-23.4.3 + (PP-23.12 nadgrobna ploča prenesena iz crkve BDM Veli Brijun. v. [https://hrcak.srce.hr/file/74001 Članak o obitelji Samuelis])
X-O.1.3 + (PP-23.12 Originalno BDM Veli Brijun, sada uzidano u Brijunski kaštel. Justified left.)
PP-23.4.2 + (PP-23.13 Ulomak nadgrobne ploče člana obitelji Petri, 1535., crkva Sv. Antuna, Brijuni ([[:Krnjak, Radossi 2002|Krnjak, Radossi 2002]]). Je li Petri (Petrus) ime, a ...IGO prezime?)

X-O.1.2 + (PP-23.4 Originalno Sv. German, sada uzidano u Brijunski kaštel.)

X-O.1.1 + (PP-23.4 Originalno Sv. German, sada uzidano u Brijunski kaštel. Grb obitelji Frangini.)
PP-31.25.1 + (prebojano, natpis ima boju In bottom right corner of the field.)
PP-18.19.3 + (Prijašnji prozor sakristije Sv. Silvestra u Kanfanaru. Nedostaju dimenzije.)
PP-8.1.1 + (Prijevod i fotografija su preuzeti sa stra … Prijevod i fotografija su preuzeti sa stranice Istarska kulturna baština Pomorskog i povijesnog muzeja Istre: [https://www.ppmi.hr/hr/patrimonio/katalog-predmeta/item/548/ link]Potrebno je provjeriti prijevod, te provjeriti prava za fotografiju.'R' is abbreviated with a double arch above a letter.1)</ Virgin Mary, whose relics are not preserved in the church.irgin Mary, whose relics are not preserved in the church.)
X-M.1.16 + (Raised inscription surface. Recessed edge of the plaque. A memorial plaque dedicated to Alojzije Marcello, Bishop of Pula. The text is centered.)
PP-14.1.1 + (Rectangle with rather large round concave … Rectangle with rather large round concave cutouts in the corners. The tombstone in the floor, next to the main entrance. The square plaque is inserted within a frame of the same shape, and in the center, there is an inscription field. The inscription field is square with softly recessed corners. It is partially damaged, with visible metal pegs and a worn surface. The text in the second and third lines starts to the righr of the pegs, which suggests that it was added after them.Letter 'I', which is capital in all places, has a dot above. 'A' has a downward bent andangled crossbar. Number '1' looks like a capital 'I' (without a dot). looks like a capital 'I' (without a dot).)
PP-31.1.3 + (Rectangular inscription with circular inle … Rectangular inscription with circular inlets in the corners, in which floral elements are added.Letters filled with well-preserved black paint. Text centered. Letters slightly irregular, entire names and initial letters of all words are in majuscule.Dragutin NEŽIĆ, Barbanski kraj u prošlosti: prigodom 270-godišnjice župne crkve u Barbanu, Barban 1971: 13Bertoša 2004: 71 Barbanu, Barban 1971: 13 Bertoša 2004: 71)
PP-19.1.15 + (Rectangular richly decorated inscription; inscription field is within an octagon 'A' with bent crossline.)
PP-8.1.5 + (ref. Filantropija...? 2016, str. 16 Justified left. 'A' with bent pointed crossbar.)
PP-18.13.3 + (ref. [[:Radossi 1995|Radossi 1995]]: 144 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
PP-31.20.2 + (romboidno okrenuto, svako I ima točku, tj. minuskulno je; u slovima je dobro očuvana boja duljine stranica: polje - 480 x 475, nositelj: 482 x 477 The text is centered. 'I' with a dot above. 'A' with bent crossbar.)
PP-8.3.4 + (See https://hrcak.srce.hr/file/351361)
PP-31.4.1 + (slova su bila ispunjena bojom, ali je boja uglavnom otpala; u jednom kutu malo oštećenje Centered text. Letters were coloured, but the ink is mostly washed away.)
PP-18.13.4 + (Slovo D je okrenuto zrcalno.)
PP-19.1.28 + (Small capitals with large 'S'.)
PP-18.15.1 + (Small capitals with large initials (except 'ET'). 'I' (and '1') has a dot above, 'A' has bent pointed crossbar. Nedostaju dimenzije.)
PP-19.1.44 + (Small capitals, initials are large. Word parts after abbreviations are superscript, as well as the vinal 'I' in 'UNIUERSI'.)
PP-19.1.6 + (Small capitals; chronogram letters (1735) are large.)
PP-18.13.1 + (Text is centered, in small capitals, all initials are capital.)
PP-18.13.2 + (Text is centered, in small capitals, all i … Text is centered, in small capitals, all initials are large.Dana 08. veljače 2025. godine pregledan natpis i ustanovljeno je da se ispod do sada registriranih 4 reda natpisa nalazi i peti red koji je jako oštećen, ali smo ga uspjeli rekonstruirati. Pogledaj da li je dobro označen diplomatički. Slova tog retka su manja od prethodna 4, iako pisana na isti način, nije nam jasno da li je dio istog natpisa.nije nam jasno da li je dio istog natpisa.)
PP-18.15.2 + (Text is justified left and right; the year … Text is justified left and right; the year is centered.Letter 'a' is similar to the reversed 'B', 't' has leftward-curved upper part, 'G' looks like 'ʕ', 'U' is squared, 'I' in 'CURLAVICH' and the second one in 'MIGLIJAS' is shaped like '1' . 'E' has and acute accent.The text ends with triple bar (≡), each preceded by a dot.Nedostaju dimenzije.h preceded by a dot. Nedostaju dimenzije.)
PP-18.10.1 + (The abbreviation can be Latin or Italian. Nedostaju dimenzije.)
PP-10.2.1 + (The acroterion at the top, in the middle o … The acroterion at the top, in the middle of the southwest facade of the church. The acroterion has the shape of a truncated pyramid on a square base, with a metal Latin cross at its top. The inscription is located on the front side of the acroterion.The church was dedicated on the All Saints' Day, November 1, 1931.The text is centered.The inscription was not measured because of the height.on was not measured because of the height.)
PP-21.1.1 + (The altar is placed in a protruding apse r … The altar is placed in a protruding apse raised by two steps. Its stipes are decorated with inlays of colorful marble. The altar is placed in a apse. In the central part of the altar is a painting made by Girolamo Pellegrini (1624 – after 1700) with a scene of the Annunciation. The altar is flanked with Corinthian columns that support a semicircular pediment with a central protruding console. The rear part of the altar is made of stone blocks, on which there are two donor inscriptions. The inscription on the south side is transcribed here. Kudiš believes that the altar was modeled after the one of Our Lady of the Rosary from the Paduan church of St. Anthony, work of Baldassare Longhena (1598 – 1682).1) Tulić agrees and adds similarities with the main altar of the Franciscan church in Zadar and with the former main altar of the church of San Daniele di Castello in Venice, but also similarities with the altars of Giuseppe Sardi and Alessandro and Paolo Tremignon.2) From this altar, a marble reliquary containing the remains of Saint Victoria was transferred to the altar of the Holy Sacrament in 1709, and arched passages were added to it in the mid-18th century. Arched passages left and right were added to the altar in the mid-18th century. This altar is considered to be the most significant 17th-century altarists work in the Diocese of Poreč and Pula.The text is centered. The first line (name) is larger than the rest. The letters are straight, but not entirely regular.'A' has a bent pointed crossbar. 'I' has a dot.Boris Vučić Šneperger ([[:Vučić Šneperger 1995|Vučić Šneperger 1995]]: 339, n. 13) published the text with a transcription: HERMOLAI * GRIMANIRELIGIOSA * MUNIF*ECCL * HANC * XP'I * SPONATAAN'VIS * DOTAVIT * REDITIBPLVRIMIS * DITAVIT * MUNERIBHVIVS Q'XARAE *PIA * DECORAVIT * ERECTIONENina Kudiš ([[:Kudiš 2007|Kudiš 2007]]: 288 n. 14) published the text with an interpretative transcription made by Nenad Labus: HERMOLAI GRIMANI/ RELIGIOSA MVNIF(ITIENTIA)/ ECCL(ESIAE) HANC XP(IST)I SPONATA (SUE SPONTAE)/ ANVIS DOTAVIT REDITIB(US)/ PLVRIMIS DITAVIT MVNERIB(US)/ HVIVSQ(UE) ARAE/ PIA DECORAVIT ERECTIONE. Davor Tulić ([[:Marković, Matejčić, Tulić 2017|Marković, Matejčić, Tulić 2017]]: 238-239) published a scheda with a transcription: HERMOLAI. GRIMANI/ RELIGIOSA MUNIF./ ECCL. HANC. XPI. SPONATA./ ANVES. DOTAVIT. REDITIB./ PLVRIMIS. DITAVIT. MVNERIB./ HVIVSQ. ARAE./ PIA. DECORAVIT ERECTIONE. He reads the name of the donator as Almorò Grimani.1) [[:Kudiš 2007|Kudiš 2007]].2) [[:Vučić Šneperger 1995|Vučić Šneperger 1995]].neperger 1995]].)
X-M.1.11 + (The architrave. It is located along the western wall of the space in front of the Franciscan Monastery Church of St. Francis in Pula. It is part of the collection of the Archaeological Museum of Istria. Triangle-formed '8'. 'A' without a crossbar.)