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PP-16.1.2 + (The rectangular plaque with the inscriptio … The rectangular plaque with the inscription in the center is vertically embedded in the northern wall of the church. The plaque is slightly recessed inward, while the surrounding, more prominent part of the wall represents newer layers of the church's facade. The plaque has two deeper damages on the left side (one at the top and one at the bottom). In the lower part, the stone is partially cracked.ower part, the stone is partially cracked.)
PP-18.17.1 + (The text follows an arc trajectory, with i … The text follows an arc trajectory, with irregular letters and almost scriptio continua.The quotation is from Ps 71,1The chapel also bears two inscriptions in Croatian: VJERA LJUBAV NADA = Faith, love, hopeU SPOMEN / ISUSOVOG / UKAZANJA / 1930 = In the memory of Jesus' apparition in 1930.The chapel dates from 2021 and commemorates an apparition of Jesus to the local pastor in 1930.The Latin part comes from the chapel of Sv. Rok?:"Na izgradnju kapelice Meden je potaknut kada je od Marija Jelenića iz obližnjeg sela dobio kameni vijenac s nekadašnje kapelice sv. Roka, vijenac koji donosi simbole Presvetog Trojstva, dva lica s raspelom u sredini, te latinski natpis „In te, Domine, speravi, non confundar in etern“. Nova kapelica dimenzija je 100x150x220cm, zidana je i prekrivena kamenom. U oknu kapelice dominira gipsani odljev Presvetog Lica Isusova kojeg je izradio osobno Anton Meden. Lice je posvema bijelo a samo su oči koloristički naglašene, te je uokvireno tamnom aureolom od crvenog granita. Od ostalih ornamentalnih elemenata kapelicu resi hrvatski pleter, a kamena baza nadsvođenog djela donosi riječi „Ljubav, vjera, nada“." (https://www.biskupija-porecko-pulska.hr/blagoslov-kapelice-krajputasice-4/)The pastor Marco Zelco (1893 - 1944) was hanged by the Nazis in the World War II, while his successor Miroslav Bulešić (1920 - 1947) was murdered by the communists.See:https://www.glasistre.hr/knjizevnost/2024/10/21/-962628https://www.glas-koncila.hr/nepoznato-euharistijsko-cudo-iz-kanfanara-mucenik-marko-zeljko-na-bozic-je-u-hostiji-ugledao-spasitelja/https://www.glasistre.hr/istra/2023/09/25/supruga-lokalnog-ribara-iz-pirana-u-travnju-1934-godine-zbog-neobicnog-fenomena-privukla-je-pozorno-886599-neobicnog-fenomena-privukla-je-pozorno-886599)
PP-18.16.1 + (The text is centered, in small capitals (only proper names, beginning of the inscription and 'DOMINE DEVS' are large). The letters were filled with black ink, which is partly preserved.)
PP-19.1.13 + (The text is centered, the letters are painted in black; the paint is partly preserved. Chronogram is incorporated in final two lines.)
PP-18.1.3 + (The text is centered. Letters are small capitals, the beginning of every word is capitalised. Nedostaju dimenzije.)
PP-18.1.5 + (The text is centered. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
PP-18.1.4 + (The text is centered. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
PP-19.1.8 + (The text is left and right justified. The letters are painted in black, teh fild is in dirty uneven white and brown colour. The script is small capitals, with large initials. Cf. Mt 11,30)
PP-21.2.3 + (The tomb of Petar Stanković's brother Mart … The tomb of Petar Stanković's brother Martin, a doctor, who was politically active during the French rule, having become the mayor of the municipality of Barban in 1808.2) Petar Stanković (1771 – 1852) was a very important Istrian intelectual in the first half of the 19th century.The monument is in the form of an aedicule with a triangular gable. Along the triangular conclusion of the gable on the lower side is a cymation, and on the upper side are acroteria in the form of spherical triangles.Centered text, very regular capital with enlarged initial letters of NICHIL and of all words from EGO to DOCTOR except for AC. Punctuation is modern.1) Cic., Cato 74: "Moriendum enim certe est, et incertum an hoc ipso die."2) [[:Lukšić 1994|Lukšić 1994]]: 118, [[:Kontošić 2014|Kontošić 2014]]: 97, n. 1.šić 2014|Kontošić 2014]]: 97, n. 1.)
PP-14.1.2 + (The tombstone in the floor, in front of th … The tombstone in the floor, in front of the sanctuary and altar on the southern side wall. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is square. The plaque is partially damaged with a worn surface. Two metal loops for lifting are preserved.The text is justified left and right, so that in lines 2, 3 and 4 the words are disproportionatelly separated.e words are disproportionatelly separated.)
PP-14.1.5 + (The tombstone in the floor, north of the e … The tombstone in the floor, north of the entrance to the church. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is square, and in the middle of the upper side, a Latin cross rises within a frame. The plaque is partially damaged, with a worn surface. Metal pegs and two grooves for lifting loops are preserved.o grooves for lifting loops are preserved.)
PP-14.1.6 + (The tombstone in the floor, south side of … The tombstone in the floor, south side of the church. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is rectangular with a profiled edge and vegetal motifs on the inner side of the field. The ornament in shallow relief covers the entire surface of the plaque and the frame. The decoration consists of multiple-profiled edges, vegetal scrolls, and rosettes, with two larger eight-sided rosettes dominating below and above the inscription field. Metal pegs and grooves for two lifting loops are preserved.All letters 'N' are slanted to the right (like 'M' without the final bar).he right (like 'M' without the final bar).)
PP-19.19.3 + (The year 1592, carved into the lintel abov … The year 1592, carved into the lintel above the entrance door, marks the year when a covered porch was added to the church and the facade was repaired.The first and the last lines are centered, the middle lines are justified left and right. The text is in small capitals with large initials, with no blank spaces between words.'I' has a dot above, '1' is shaped like 'I'.' has a dot above, '1' is shaped like 'I'.)
X-M.1.14 + (Two fragments of the inscription plaque. On the right fragment, the surface is very worn and this part of the inscription is almost illegible. The text is centered.)
PP-18.19.4 + (Ulomak nekadašnjeg nadvratnika sakristije u crkvi sv. Silvestra u Kanfanaru. The right half of the inscription is lacking. 'T' is partly visible. Nedostaju dimenzije.)
PP-18.10.2 + ([[:Radossi 1995|Radossi 1995]]: 165 Nedostaju dimenzije.)
PP-18.1.2 + ([[https://www.dvegrajci.hr/zupna-crkva-sv- … [[https://www.dvegrajci.hr/zupna-crkva-sv-silvestra-kanfanar/ Reference]]The text is centered, written in small capitals (only the first letter of the inscription is larger; 'J' is extended below the baseline). The letters are filled with well preserved black ink. are filled with well preserved black ink.)
PP-31.1.4 + (natpis je zbog skela teško dostupan i zato se ne može izmjeriti Centered text, coloured in black, colour is preserved, some lines are larger)
PP-31.6.3 + (okvir je profiliran prema van Centered text, red and black ink in letters partly faded.)
PP-31.6.4 + (okvir je profiliran prema van. Justified left, last word in the middle. Small capitals, only first letter in the inscription is larger. Letters coloured in red (initials) and black, black ink mostly faded comletely, red partly.)
PP-31.25.1 + (prebojano, natpis ima boju In bottom right corner of the field.)
PP-18.13.3 + (ref. [[:Radossi 1995|Radossi 1995]]: 144 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
PP-31.20.2 + (romboidno okrenuto, svako I ima točku, tj. minuskulno je; u slovima je dobro očuvana boja duljine stranica: polje - 480 x 475, nositelj: 482 x 477 The text is centered. 'I' with a dot above. 'A' with bent crossbar.)
PP-31.4.1 + (slova su bila ispunjena bojom, ali je boja uglavnom otpala; u jednom kutu malo oštećenje Centered text. Letters were coloured, but the ink is mostly washed away.)
PP-18.15.4 + (the inscription field is created by flatte … the inscription field is created by flattenning the middle part of the stone.First two lines are justified to the left (but with a margin), while the third line is centered.'A' has a downward-bent pointed crossbar. '5' is 'S'-shaped. 'I' has a dot above.Nedostaju dimenzije.'I' has a dot above. Nedostaju dimenzije.)

PP-18.1.21 + (Meden 13 Letters are of irregular size. At places, the text on the right side crosses over the borderline of the field. Letter 'I' has a dot in 'VITAM', 'GRVBISSA' and the second one in 'FAMILLIA'. Nedostaju dimenzije.)

PP-18.1.1 + ('A' has a downward-bent pointed crossline. Final 'IS' in 'CANONICIS' and 'O' in 'MAGISTRO' are superscript. Nedostaju dimenzije.)
PP-18.1.8 + ('HOC TEMPLUM' is smaller, placed to the left, differently made and without ink. The rest has a well-preserved ink. 'A(NNO) 1923.' is to the right, but has ink and is more similar in shape to the main part. Nedostaju dimenzije.)
PP-21.1.6 + (1)"Post tenebras lu … 1)"Post tenebras lux" is a Latin phrase translated as Light After Darkness. It appears as Post tenebras spero lucem ("After darkness, I hope for light") in the Vulgate version of Job 17:12. At the end of this line in Svetvinčenat is the letter M incarved above the last word (LUCE-M).2)Laurencius actually died 1731 acording to Liber defunctorum (year?).urencius actually died 1731 acording to Liber defunctorum (year?).)
PP-21.2.1 + (a)Small letters "ET … a)Small letters "ETE" are incarved above the first line, but with the function of sufix of the word VIVE(N)TE in the first row. b)Small letter "S" with the function of sufix is incarved between MARTINO in the first row and HER in the second row.carved between MARTINO in the first row and HER in the second row.)
X-M.1.5 + (A memorial plaque dedicated to Giuseppe Maria Bottari, Bishop of Pula. Centered text. Small capitals with large initials.)
X-M.1.9 + (A memorial plaque dedicated to Matteo Barbabianca, Bishop of Pula. Text centered.)
PP-21.1.2 + (Boris Vučić Šneperger ([[:Vučić Šneperger 1995|Vučić Šneperger 1995]]: 339, n. … Boris Vučić Šneperger ([[:Vučić Šneperger 1995|Vučić Šneperger 1995]]: 339, n. 13) published the text with a transcription: B * VICTORIAE * V* M * CORPVS*IN * HANC * DEIPARAE * AEDEM *EX * ALMA * VRBE * TRASLATVM *KAL * IVN * MDCLXXBARTH * PETRONIO * CO * CAPIO * PET * ABB * TAIAPIERA * ARCHNina Kudiš ([[:Kudiš 2007|Kudiš 2007]]: 288, n. 14) published the text with an interpretative transcription made by Nenad Labus: B(EATE) VICTORIAE V(IRGO) M(ARTIRI) CORPUS/ IN HANC DEIPARAE AEDEM/ EX ALMA VRBE TRANSLATVM/ KAL(ENDAE) IVN(II) MDCLXX/ BARTH(OLOMEUS) PETRONIO CO(MITE) CAP(ITANEO)/ IO(HANNES) PET(RUS) ABB(ATE) TAIAPIERA ARCH(IPRETE). Damir Tulić ([[:Marković, Matejčić, Tulić 2017|Marković, Matejčić, Tulić 2017]]: 238-239) published a scheda with a transcription: B. VICTORIAE. V. M. CORPVS/ IN HANC DEIPARAE. AEDEM./ EX. ALMA. VRBE. TRANSLATVM./ KAL. IVN. MDCLXX./ BARTH. PETRONIO. CO. CAP./ IO. PET. ABB. TAIAPIERA. ARCH. For the description of the altar, see PP-2.1.1.Dark marble. Centered text, slightly irregular capitals, last two lines have a bit smaller letters. 'I' has a dot.https://www.ceeol.com/search/book-detail?id=1221568eeol.com/search/book-detail?id=1221568)
X-M.1.13 + (Centered text.)
PP-8.4.4 + (Centered text.)
PP-8.8.6 + (Centered text.)
PP-8.4.2 + (Centered text. Mt 16,18)
PP-8.4.5 + (Centered text. Poredati ova četiri natpisa (8.4.2-8.4.5) tako da slijede smisao. From the Service of Consecration of a Church Building. Cf. Mt 7,24)
PP-8.4.3 + (Centered text. Ps 93,5)
PP-8.8.3 + (Centered text. 'A' with bent pointed crossbar. About Malpietro see https://hrcak.srce.hr/file/279247)
PP-8.4.1 + (Centered text. The upper line double as high as the lower one.)
PP-18.1.9 + (Continuation of previous inscription. Nedostaju dimenzije.)
X-O.2.1 + (Crkva je srušena polovicom 20. st., a natpis je zajedno s preslicom ugrađen u zid privatne kuće. Zbog nedostupnosti ga nismo mogli izmjeriti. The text is centered.)
PP-4.2.1 + (Crkva se nalazi u Kostanjici, u blizini lo … Crkva se nalazi u Kostanjici, u blizini lokve.Natpis je fragmentarno sačuvan i ugrađen u pročelje crkve naopako.Ne ulazi u katalog.Pročelje – natpis spominje sv. Mariju i Kostanjicu - 1300. gotica - uzidan naopako pri preuređenju u 2. ½ 17.st - gradnja crkve povezana je s pulskom katedralom - CHASTAGNO MARIA- Sveci relikvije u pulskoj katedrali - 2. i 3. red: BAXEIO SALAMON DIMITRI (Blaž, Salomon, Demetrije)- dio koji nedostaje: Flor, Juraj, TeodorIspod glavnog oltara pulske katedrale 5 relikvijara - sv. Jurja, solinski biskupi- mučenici - sv. Teodora, solinski biskupi- mučenici - sv. Dimitrija, (Sirmij?)- sv. Bazilija, priznavaoc- sv. Flora i - bl. Salomona, bivšega ugarskog kraljaKada je i u kojim okolnostima naručena gradnja crkve i njezino uređenje nije poznato, ali ona je bila na neki način usko povezana s pulskom katedralom. O tome svjedoči u zapadno pročelje crkve uzidan naopako okrenut natpis na okrugloj gotici kojemu nedostaju lijevi, desni i gornji dio, i koji spominje Kostanjicu kao CHASTAGNO. Autor natpisa spominje svece čije se relikvije nalaze u pulskoj katedrali pa u drugom i trećem redu kleše: … BAXEIO • SALAMON … DIMITRI • zazivajući sv. Blaža, sv. Salomona, sv. Demetrija; u otkrhnutom dijelu vjerojatno je zazivao i sv. Flora, sv. Jurja i sv. Teodora u. U posljednjem se redu spominje titular naše crkve - MARIA. Ovako fragmentaran našao se vjerojatno u pročelju crkve prilikom novog preuređenja u drugoj polovini 17. stoljeća.reuređenja u drugoj polovini 17. stoljeća.)
X-M.1.12 + (Damaged on the right and left side, parts of the inscription are missing. The inscription is about bishop of Pula Giovanni Andrea Balbi (Krk, 10.III.1692 – Pula, 23.X.1771). Small capitals; large are initials and 'BALBA'.)
PP-19.16.1 + (First line centered, other lines justified left, last line a little indented. First line and first letter of 'IOSEPH' larger. 'I' has a dot above.)
PP-21.1.12 + (In the center of the slab is a rectangular inscription field, the corners of which are circularly cut inward.)
PP-18.4.1 + (In the center of the slab is a square inscription field, the corners of which are circularly cut inward.)
PP-8.8.7 + (In the center of the slab is a square inscription field, the corners of which are circularly cut inward. Small capitals. 'A' with bent pointed crossbar.)
PP-19.1.14 + (Inscription has superficial damage which r … Inscription has superficial damage which renders some letters illegible. Letters are filled with partly preserved ink. The text is centered.Neće ući u katalog jer je na talijanskom; vjerojatno se može pročitati, ali samo na licu mjesta ili s boljim fotografijama.na licu mjesta ili s boljim fotografijama.)
PP-31.16.1 + (Irregular quadrangle.)