Search by property
This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.
List of results
- PP-14.1.2 + (The tombstone in the floor, in front of th … The tombstone in the floor, in front of the sanctuary and altar on the southern side wall. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is square. The plaque is partially damaged with a worn surface. Two metal loops for lifting are preserved.</br>The text is justified left and right, so that in lines 2, 3 and 4 the words are disproportionatelly separated.e words are disproportionatelly separated.)
- PP-14.1.5 + (The tombstone in the floor, north of the e … The tombstone in the floor, north of the entrance to the church. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is square, and in the middle of the upper side, a Latin cross rises within a frame. The plaque is partially damaged, with a worn surface. Metal pegs and two grooves for lifting loops are preserved.o grooves for lifting loops are preserved.)
- PP-14.1.6 + (The tombstone in the floor, south side of … The tombstone in the floor, south side of the church. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is rectangular with a profiled edge and vegetal motifs on the inner side of the field. The ornament in shallow relief covers the entire surface of the plaque and the frame. The decoration consists of multiple-profiled edges, vegetal scrolls, and rosettes, with two larger eight-sided rosettes dominating below and above the inscription field. Metal pegs and grooves for two lifting loops are preserved.</br></br>All letters 'N' are slanted to the right (like 'M' without the final bar).he right (like 'M' without the final bar).)
- PP-19.19.3 + (The year 1592, carved into the lintel abov … The year 1592, carved into the lintel above the entrance door, marks the year when a covered porch was added to the church and the facade was repaired.</br></br>The first and the last lines are centered, the middle lines are justified left and right. </br></br>The text is in small capitals with large initials, with no blank spaces between words.</br></br>'I' has a dot above, '1' is shaped like 'I'.' has a dot above, '1' is shaped like 'I'.)
- PP-31.6.4 + (okvir je profiliran prema van. Justified left, last word in the middle. Small capitals, only first letter in the inscription is larger. Letters coloured in red (initials) and black, black ink mostly faded comletely, red partly.)
- PP-8.1.5 + (ref. Filantropija...? 2016, str. 16 Justified left. 'A' with bent pointed crossbar.)
- PP-18.15.4 + (the inscription field is created by flatte … the inscription field is created by flattenning the middle part of the stone.</br></br>First two lines are justified to the left (but with a margin), while the third line is centered.</br></br>'A' has a downward-bent pointed crossbar. '5' is 'S'-shaped. 'I' has a dot above.</br></br>Nedostaju dimenzije.'I' has a dot above. Nedostaju dimenzije.)
- PP-23.1.2 + (In the shape of an open scroll. Mitre, 2 coats of arms. Justified left and right. Ps. 115,1)
- PP-18.1.8 + ('HOC TEMPLUM' is smaller, placed to the left, differently made and without ink. The rest has a well-preserved ink. 'A(NNO) 1923.' is to the right, but has ink and is more similar in shape to the main part. Nedostaju dimenzije.)
- PP-29.1.1 + (A simple stone custodia of rectangular sha … A simple stone custodia of rectangular shape with an arched opening in the middle and a triangular, multi-profiled pediment at the top. The year is carved above the arched opening, on both the left and right sides. The text is inscribed in the lower part, on the left and right sides, as well as below the opening. Without decoration. as below the opening. Without decoration.)
- PP-31.5.3 + (Centered left and right, letters filled with partly faded ink. Small capitals with slightly larger initials.)
- X-M.1.12 + (Damaged on the right and left side, parts of the inscription are missing. The inscription is about bishop of Pula Giovanni Andrea Balbi (Krk, 10.III.1692 – Pula, 23.X.1771). Small capitals; large are initials and 'BALBA'.)
- PP-23.4.6 + (Dva natpisa na jednoj ploči (v. PP-23.4.5). Lower left part is lacking. V. [[:Krnjak, Radossi 2002|Krnjak, Radossi 2002]]:364)
- PP-19.16.1 + (First line centered, other lines justified left, last line a little indented. First line and first letter of 'IOSEPH' larger. 'I' has a dot above.)
- X-M.1.26 + (Four fragments of the tombstone of a membe … Four fragments of the tombstone of a member of the Sforza family (?).</br></br>Found during systematic archaeological research in 2017 in a recent layer north of the building of the Archaeological Museum of Istria, i.e. above the entrance to Zerostrasse.</br></br>The inscription is preserved on two of four fragments of plaque. The inscriptions are partially preserved. One of them is located in cartouche (kartuša). A part of the coat of arms has been preserved on one fragment.f arms has been preserved on one fragment.)
- X-M.1.19 + (Fragment of an inscription plate written in Gothic script. The upper left corner of the plate is preserved. In the lower right corner of the fragment, the remains of an undefined relief decoration are visible. Čini se da je natpis raniji, možda 15. st.)
- PP-23.1.3 + (In the right coat of arms: 'B // B'.)
- PP-23.1.2 +
- PP-31.6.2 + (Justified left and right, <i>scriptio continua</i>, small capitals with large initials.)
- PP-31.6.1 + (Malo oštećen na rubovima i izblijedio. Dimenzije su priblžne jer je natpis teško dostupan. <i>Scriptio continua</i>, left and right justified.)
- X-M.1.17 + (Ne pripada katalogu jer je iz 13. st. It … Ne pripada katalogu jer je iz 13. st.</br></br>It is located in the Franciscan Monastery Church of St. Francis in Pula. It is part of the collection of the Archaeological Museum of Istria.</br></br>A plaque with an engraved cross, whose transverse horizontal beam (antenna) has rounded ends, and the ends of the vertical beam (patibulum) are not preserved. The inscription is inside the cross and in the left corner between the antenna and the patibulum. In the lower left corner, there is a depiction of a dog leaping towards the cross.</br></br>Inscription along the horizontal beam: MAGISTER C/AMELLETO FEC(IT) HO(C) / PALA/(C)TI(O)UM</br></br>Inscription on the vertical beam: MARIA CISCA DOLTO (?) FECIT (FA/C)ERE HOC SERVI(C)I(O) ET REDEM(C)IONE A(NIM)E / SUE</br></br>Inscription in the corner between the beams: PALA/CIO</br></br>The plaque is dated to the 13th century.</br>It was found among the materials of a house destroyed during the bombing in 1944, at the intersection of Benediktinske opatije Street (ex Via dell'Abbazia) and Flaciusova Street (Via Garibaldi).ia) and Flaciusova Street (Via Garibaldi).)
- X-O.1.3 + (PP-23.12 Originalno BDM Veli Brijun, sada uzidano u Brijunski kaštel. Justified left.)
- PP-14.1.1 + (Rectangle with rather large round concave … Rectangle with rather large round concave cutouts in the corners. The tombstone in the floor, next to the main entrance. The square plaque is inserted within a frame of the same shape, and in the center, there is an inscription field. The inscription field is square with softly recessed corners. It is partially damaged, with visible metal pegs and a worn surface. The text in the second and third lines starts to the righr of the pegs, which suggests that it was added after them.</br></br>Letter 'I', which is capital in all places, has a dot above. 'A' has a downward bent andangled crossbar. Number '1' looks like a capital 'I' (without a dot). looks like a capital 'I' (without a dot).)
- PP-18.15.2 + (Text is justified left and right; the year … Text is justified left and right; the year is centered.</br>Letter 'a' is similar to the reversed 'B', 't' has leftward-curved upper part, 'G' looks like 'ʕ', 'U' is squared, 'I' in 'CURLAVICH' and the second one in 'MIGLIJAS' is shaped like '1' . 'E' has and acute accent.</br></br>The text ends with triple bar (≡), each preceded by a dot.</br></br>Nedostaju dimenzije.h preceded by a dot. Nedostaju dimenzije.)
- PP-10.2.1 + (The acroterion at the top, in the middle o … The acroterion at the top, in the middle of the southwest facade of the church. The acroterion has the shape of a truncated pyramid on a square base, with a metal Latin cross at its top. The inscription is located on the front side of the acroterion.</br>The church was dedicated on the All Saints' Day, November 1, 1931.</br></br>The text is centered.</br></br>The inscription was not measured because of the height.on was not measured because of the height.)
- PP-21.1.1 + (The altar is placed in a protruding apse r … The altar is placed in a protruding apse raised by two steps. Its stipes are decorated with inlays of colorful marble. The altar is placed in a apse. In the central part of the altar is a painting made by Girolamo Pellegrini (1624 – after 1700) with a scene of the Annunciation. The altar is flanked with Corinthian columns that support a semicircular pediment with a central protruding console. The rear part of the altar is made of stone blocks, on which there are two donor inscriptions. The inscription on the south side is transcribed here. Kudiš believes that the altar was modeled after the one of Our Lady of the Rosary from the Paduan church of St. Anthony, work of Baldassare Longhena (1598 – 1682).<sup>1)</sup> Tulić agrees and adds similarities with the main altar of the Franciscan church in Zadar and with the former main altar of the church of San Daniele di Castello in Venice, but also similarities with the altars of Giuseppe Sardi and Alessandro and Paolo Tremignon.<sup>2)</sup> </br>From this altar, a marble reliquary containing the remains of Saint Victoria was transferred to the altar of the Holy Sacrament in 1709, and arched passages were added to it in the mid-18th century. Arched passages left and right were added to the altar in the mid-18th century. This altar is considered to be the most significant 17th-century altarists work in the Diocese of Poreč and Pula.</br></br>The text is centered. The first line (name) is larger than the rest. The letters are straight, but not entirely regular.</br></br>'A' has a bent pointed crossbar. 'I' has a dot.</br></br>Boris Vučić Šneperger ([[:Vučić Šneperger 1995|Vučić Šneperger 1995]]: 339, n. 13) published the text with a transcription: </br>HERMOLAI * GRIMANI</br>RELIGIOSA * MUNIF*</br>ECCL * HANC * XP'I * SPONATA</br>AN'VIS * DOTAVIT * REDITIB</br>PLVRIMIS * DITAVIT * MUNERIB</br>HVIVS Q'XARAE *</br>PIA * DECORAVIT * ERECTIONE</br></br>Nina Kudiš ([[:Kudiš 2007|Kudiš 2007]]: 288 n. 14) published the text with an interpretative transcription made by Nenad Labus: HERMOLAI GRIMANI/ RELIGIOSA MVNIF(ITIENTIA)/ ECCL(ESIAE) HANC XP(IST)I SPONATA (SUE SPONTAE)/ ANVIS DOTAVIT REDITIB(US)/ PLVRIMIS DITAVIT MVNERIB(US)/ HVIVSQ(UE) ARAE/ PIA DECORAVIT ERECTIONE. </br></br>Davor Tulić ([[:Marković, Matejčić, Tulić 2017|Marković, Matejčić, Tulić 2017]]: 238-239) published a scheda with a transcription: HERMOLAI. GRIMANI/ RELIGIOSA MUNIF./ ECCL. HANC. XPI. SPONATA./ ANVES. DOTAVIT. REDITIB./ PLVRIMIS. DITAVIT. MVNERIB./ HVIVSQ. ARAE./ PIA. DECORAVIT ERECTIONE. He reads the name of the donator as Almorò Grimani.</br></br><sup>1)</sup> [[:Kudiš 2007|Kudiš 2007]].</br></br><sup>2)</sup> [[:Vučić Šneperger 1995|Vučić Šneperger 1995]].neperger 1995]].)
- PP-18.1.10 + (The inscription is carved on the altar are … The inscription is carved on the altar area, but it is obscured by a later-added marble tabernacle. The altar is raised on three steps. The altar’s base is decorated with marble inlays in geometric patterns. In the center of the mensa stands the tabernacle, behind which is the carved inscription. The arch of the altar retable is framed by two columns with Corinthian capitals, and behind them are pilasters that broaden at the bottom into volutes. The key stone bears the coat of arms of the patron, Viktor Ruffini. Above, a wreath extends, and at the very top, there is a divided semicircular pediment.</br></br>Measures could not be taken because of inaccessibility.</br></br>Nedostaju dimenzije. of inaccessibility. Nedostaju dimenzije.)
- PP-16.2.1 + (The inscription is located on the arch of … The inscription is located on the arch of the spire of the bell tower on the main facade of the church. The semicircular arch that supports the bell has gentle projections at the ends, and on the front sides, to the left and right of the inscription, there are floral motifs in relief. The pilasters of the spire are significantly damaged. At the top, in the center of the arch, there is a stone cross.</br></br>Chapel is found in a private land in Ušićevi Dvori.</br></br>Dimensions were not taken because of inaccessibility.</br></br>The the inscription is above the bell in the bell-cot, arch-shaped.ove the bell in the bell-cot, arch-shaped.)
- PP-16.1.1 + (The inscription is located on the keystone … The inscription is located on the keystone of the main portal of the church, at the top of the profiled gable that surmounts the semicircular, stepped arches of the entrance. The portal arches rest on columns on each side, which stand on square pedestals. The keystone is trapezoidal in shape and is split down the middle. The inscription is positioned in the lower half of the keystone. </br>At the top, there is a stone Latin cross.</br></br>Dimensions not taken because of the inaccessibility. not taken because of the inaccessibility.)
- PP-31.1.2 + (The inscription is located within a stone … The inscription is located within a stone tabernacle embedded in the wall of the northern aisle of the church. The tabernacle originates from an earlier church. Traces of color are visible on it, suggesting that the tabernacle, in addition to its relief decorations, was originally adorned with painting. The upper part of the tabernacle has a compartment (with metal doors) framed by a wreath of vine, and at the corners, in medallions, are symbols of the four evangelists. To the left and right of the compartment, there is a shallow niche, vaulted with a shell-shaped dome and a cupola, bordered by small columns. Next to the niches, there is a half-column and a pilaster, and above them stretches a wreath made of two rows of leaves. The lower part of the tabernacle is occupied by an inscription, executed on a scroll, which is supported by two naked angels.</br>The lower part is almost cracked in the center, and the crack is filled with a bonding material.</br></br>Text justified left and right. material. Text justified left and right.)
- X-M.1.15 + (The plaque is fragmented and consists of t … The plaque is fragmented and consists of three pieces that connect. A profiled edge, with rounded inlets at the corners, frames the inscription. On each rounded corner, there is a shallowly carved quatrefoil. On both sides, to the left and right of the seventh line, there are engraved undefined symbols (coats of arms) with a crown on top and stars inside the shield.</br></br>The text is centered. inside the shield. The text is centered.)
- PP-16.1.2 + (The rectangular plaque with the inscriptio … The rectangular plaque with the inscription in the center is vertically embedded in the northern wall of the church. The plaque is slightly recessed inward, while the surrounding, more prominent part of the wall represents newer layers of the church's facade. The plaque has two deeper damages on the left side (one at the top and one at the bottom). In the lower part, the stone is partially cracked.ower part, the stone is partially cracked.)
- PP-19.1.8 + (The text is left and right justified. The letters are painted in black, teh fild is in dirty uneven white and brown colour. The script is small capitals, with large initials. Cf. Mt 11,30)