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- PP-3.6.1 + (The present church of St. Peter on Borbola … The present church of St. Peter on Borbolan was built on the site of an earlier church. Its remains suggest that the church had a pre-Romanesque phase. There was also a village in the area, which was abandoned in 1456. The present church was rebuilt in 1928, and it was also renovated in 1999, as evidenced by two inscription plaques above the portal on the western façade. The plaque about the construction from 1928 is written in Latin, while the plaque about the renovation from 1999, located below it, is in Croatian. The new church, built in 1928, received an apse, a porch on the western façade, and a bell tower 4.50 meters high, which the previous church did not have. Additionally, the new church was narrower on the northern side, and its floor was raised by 1 meter compared to the old church.</br>The church was destroyed and looted after World War II. At that time, the statue of St. Peter was relocated to the parish church. It was renovated in 1999, as evidenced by the aforementioned inscription.idenced by the aforementioned inscription.)
- PP-16.1.2 + (The rectangular plaque with the inscriptio … The rectangular plaque with the inscription in the center is vertically embedded in the northern wall of the church. The plaque is slightly recessed inward, while the surrounding, more prominent part of the wall represents newer layers of the church's facade. The plaque has two deeper damages on the left side (one at the top and one at the bottom). In the lower part, the stone is partially cracked.ower part, the stone is partially cracked.)
- PP-18.17.1 + (The text follows an arc trajectory, with irregular letters and almost <i>scriptio continua</i>. Ps 71,1)
- PP-18.16.1 + (The text is centered, in small capitals (only proper names, beginning of the inscription and 'DOMINE DEVS' are large). The letters were filled with black ink, which is partly preserved.)
- PP-19.1.13 + (The text is centered, the letters are painted in black; the paint is partly preserved. Chronogram is incorporated in final two lines.)
- PP-18.1.3 + (The text is centered. Letters are small capitals, the beginning of every word is capitalised. Nedostaju dimenzije.)
- PP-18.1.4 + (The text is centered. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
- PP-18.1.5 + (The text is centered. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
- PP-19.1.8 + (The text is left and right justified. The letters are painted in black, teh fild is in dirty uneven white and brown colour. The script is small capitals, with large initials. Cf. Mt 11,30)
- PP-21.2.3 + (The tomb of Petar Stanković's brother Mart … The tomb of Petar Stanković's brother Martin, a doctor. The monument is in the form of an aedicule with a triangular gable. Along the triangular conclusion of the gable on the lower side is a cymation, and on the upper side are acroteria in the form of spherical triangles.</br></br>Centered text, very regular capital with enlarged initial letters of NICHIL and of all words from EGO to DOCTOR except for AC. Punctuation is modern.</br></br>Cic., Cato 74: "Moriendum enim certe est, et incertum an hoc ipso die."</br></br>https://hrcak.srce.hr/file/121293, p. 118</br>https://barban.hr/wp-content/uploads/2024/10/2.pdf, p. 97hr/wp-content/uploads/2024/10/2.pdf, p. 97)
- PP-14.1.2 + (The tombstone in the floor, in front of th … The tombstone in the floor, in front of the sanctuary and altar on the southern side wall. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is square. The plaque is partially damaged with a worn surface. Two metal loops for lifting are preserved.</br>The text is justified left and right, so that in lines 2, 3 and 4 the words are disproportionatelly separated.e words are disproportionatelly separated.)
- PP-14.1.1 + (The tombstone in the floor, next to the ma … The tombstone in the floor, next to the main entrance. The square plaque is inserted within a frame of the same shape, and in the center, there is an inscription field. The inscription field is square with softly recessed corners. It is partially damaged, with visible metal pegs and a worn surface. The text in the second and third lines starts to the righr of the pegs, which suggests that it was added after them.</br></br>Letter 'I', which is capital in all places, has a dot above. 'A' has a downward bent andangled crossbar. Number '1' looks like a capital 'I' (without a dot). looks like a capital 'I' (without a dot).)
- PP-14.1.5 + (The tombstone in the floor, north of the e … The tombstone in the floor, north of the entrance to the church. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is square, and in the middle of the upper side, a Latin cross rises within a frame. The plaque is partially damaged, with a worn surface. Metal pegs and two grooves for lifting loops are preserved.o grooves for lifting loops are preserved.)
- PP-14.1.6 + (The tombstone in the floor, south side of … The tombstone in the floor, south side of the church. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is rectangular with a profiled edge and vegetal motifs on the inner side of the field. The ornament in shallow relief covers the entire surface of the plaque and the frame. The decoration consists of multiple-profiled edges, vegetal scrolls, and rosettes, with two larger eight-sided rosettes dominating below and above the inscription field. Metal pegs and grooves for two lifting loops are preserved.</br></br>All letters 'N' are slanted to the right (like 'M' without the final bar).he right (like 'M' without the final bar).)
- PP-19.19.3 + (The year 1592, carved into the lintel abov … The year 1592, carved into the lintel above the entrance door, marks the year when a covered porch was added to the church and the facade was repaired.</br></br>The first and the last lines are centered, the middle lines are justified left and right. </br></br>The text is in small capitals with large initials, with no blank spaces between words.</br></br>'I' has a dot above, '1' is shaped like 'I'.' has a dot above, '1' is shaped like 'I'.)
- X-M.1.14 + (Two fragments of the inscription plaque. On the right fragment, the surface is very worn and this part of the inscription is almost illegible. The text is centered.)
- PP-18.1.2 + ([[https://www.dvegrajci.hr/zupna-crkva-sv- … [[https://www.dvegrajci.hr/zupna-crkva-sv-silvestra-kanfanar/ Reference]]</br></br>The text is centered, written in small capitals (only the first letter of the inscription is larger; 'J' is extended below the baseline). The letters are filled with well preserved black ink. are filled with well preserved black ink.)
- PP-31.13.1 + (do natpisa nismo mogli doći, već smo ga slikali izvana; u slovima je crna boje, trapezoidnog oblika Centered. Made by a famous self-taught artist.)
- PP-31.5.4 + (natpis je nečist i teško dostupan, tako da se ne može valjano izmjeriti https://vodnjandignano.com/en/lady-of-carmel/stranica/64 https://crsrv.org/PDF/Atti/Atti-13/Giovanni-Radossi-Stemmi-di-rettori-e-di-famiglie-notabili-di-Dignano-d-Istria.pdf)
- PP-31.1.4 + (natpis je zbog skela teško dostupan i zato se ne može izmjeriti Centered text, coloured in black, colour is preserved, some lines are larger)
- PP-31.1.6 + (natpis zbog visine nije bilo moguće izmjeriti, a zbog oštećenosti slova ne može se u potpunosti pročitati Text centered, 'A' with a bent pointed crossbar. Larger are first letters of names and emperor's attributes.)
- PP-31.6.3 + (okvir je profiliran prema van Centered text, red and black ink in letters partly faded.)
- PP-31.20.2 + (romboidno okrenuto, svako I ima točku, tj. minuskulno je; u slovima je dobro očuvana boja duljine stranica: polje - 480 x 475, nositelj: 482 x 477 The text is centered. 'I' with a dot above. 'A' with bent crossbar.)
- PP-31.4.1 + (slova su bila ispunjena bojom, ali je boja uglavnom otpala; u jednom kutu malo oštećenje Centered text. Letters were coloured, but the ink is mostly washed away.)
- PP-18.15.4 + (the inscription field is created by flatte … the inscription field is created by flattenning the middle part of the stone.</br></br>First two lines are justified to the left (but with a margin), while the third line is centered.</br></br>'A' has a downward-bent pointed crossbar. '5' is 'S'-shaped. 'I' has a dot above.</br></br>Nedostaju dimenzije.'I' has a dot above. Nedostaju dimenzije.)
- PP-8.4.5 + (Centered text. Poredati ova četiri natpisa (8.4.2-8.4.5) tako da slijede smisao. From the Service of Consecration of a Church Building. Cf. Mt 7,24)
- X-M.1.5 + (A memorial plaque dedicated to Giuseppe Maria Bottari, Bishop of Pula. Centered text. Small capitals with large initials.)
- X-M.1.9 + (A memorial plaque dedicated to Matteo Barbabianca, Bishop of Pula. Text centered.)
- PP-31.5.3 + (Centered left and right, letters filled with partly faded ink. Small capitals with slightly larger initials.)
- PP-8.4.4 + (Centered text.)
- PP-8.8.6 + (Centered text.)
- X-M.1.13 + (Centered text.)
- PP-8.4.2 + (Centered text. Mt 16,18)
- PP-8.4.5 +
- PP-8.4.3 + (Centered text. Ps 93,5)
- PP-8.8.3 + (Centered text. 'A' with bent pointed crossbar. About Malpietro see https://hrcak.srce.hr/file/279247)
- PP-8.4.1 + (Centered text. The upper line double as high as the lower one.)
- PP-31.5.2 + (Centered, letters partly faded. 'I' with dot, 'A' with bent crossbar.)
- PP-8.3.5 + (Centered.)
- PP-8.3.6 + (Centered. Small capital. Letters after abbreviations raised and smaller. 'I' with a dot.)
- X-O.2.1 + (Crkva je srušena polovicom 20. st., a natpis je zajedno s preslicom ugrađen u zid privatne kuće. Zbog nedostupnosti ga nismo mogli izmjeriti. The text is centered.)
- PP-4.2.1 + (Crkva se nalazi u Kostanjici, u blizini lo … Crkva se nalazi u Kostanjici, u blizini lokve.</br></br>Natpis je fragmentarno sačuvan i ugrađen u pročelje crkve naopako.</br></br>Ne ulazi u katalog.</br></br>Pročelje – natpis spominje sv. Mariju i Kostanjicu</br> - 1300. gotica</br> - uzidan naopako pri preuređenju u 2. ½ 17.st </br></br>- gradnja crkve povezana je s pulskom katedralom</br> </br>- CHASTAGNO MARIA</br>- Sveci relikvije u pulskoj katedrali </br> - 2. i 3. red: BAXEIO SALAMON DIMITRI </br>(Blaž, Salomon, Demetrije)</br>- dio koji nedostaje: Flor, Juraj, Teodor</br></br>Ispod glavnog oltara pulske katedrale 5 relikvijara </br>- sv. Jurja, solinski biskupi- mučenici </br>- sv. Teodora, solinski biskupi- mučenici </br>- sv. Dimitrija, (Sirmij?)</br>- sv. Bazilija, priznavaoc</br>- sv. Flora i </br>- bl. Salomona, bivšega ugarskog kralja</br></br>Kada je i u kojim okolnostima naručena gradnja crkve i njezino uređenje nije poznato, ali ona je bila na neki način usko povezana s pulskom katedralom. O tome svjedoči u zapadno pročelje crkve uzidan naopako okrenut natpis na okrugloj gotici kojemu nedostaju lijevi, desni i gornji dio, i koji spominje Kostanjicu kao CHASTAGNO. Autor natpisa spominje svece čije se relikvije nalaze u pulskoj katedrali pa u drugom i trećem redu kleše: … BAXEIO • SALAMON … DIMITRI • zazivajući sv. Blaža, sv. Salomona, sv. Demetrija; u otkrhnutom dijelu vjerojatno je zazivao i sv. Flora, sv. Jurja i sv. Teodora u. U posljednjem se redu spominje titular naše crkve - MARIA. Ovako fragmentaran našao se vjerojatno u pročelju crkve prilikom novog preuređenja u drugoj polovini 17. stoljeća.reuređenja u drugoj polovini 17. stoljeća.)
- PP-31.1.3 + (Dragutin NEŽIĆ, Barbanski kraj u prošlosti … Dragutin NEŽIĆ, Barbanski kraj u prošlosti: prigodom 270-godišnjice župne crkve u Barbanu, Barban 1971: 13</br>Bertoša 2004: 71</br></br>Letters filled with well-preserved black paint. </br></br>Text centered. Letters slightly irregular, entire names and initial letters of all words are in majuscule.ial letters of all words are in majuscule.)
- PP-19.16.1 + (First line centered, other lines justified left, last line a little indented. First line and first letter of 'IOSEPH' larger. 'I' has a dot above.)
- X-M.1.26 + (Four fragments of the tombstone of a membe … Four fragments of the tombstone of a member of the Sforza family (?).</br></br>Found during systematic archaeological research in 2017 in a recent layer north of the building of the Archaeological Museum of Istria, i.e. above the entrance to Zerostrasse.</br></br>The inscription is preserved on two of four fragments of plaque. The inscriptions are partially preserved. One of them is located in cartouche (kartuša). A part of the coat of arms has been preserved on one fragment.f arms has been preserved on one fragment.)
- PP-19.1.14 + (Inscription has superficial damage which r … Inscription has superficial damage which renders some letters illegible. Letters are filled with partly preserved ink. The text is centered.</br></br>Neće ući u katalog jer je na talijanskom; vjerojatno se može pročitati, ali samo na licu mjesta ili s boljim fotografijama.na licu mjesta ili s boljim fotografijama.)
- PP-18.1.32 + (Meden 'A' with downward-bent pointed crossbar. <sup>a)</sup> 'PRO' is considerably larger than the rest of the text. Nedostaju dimenzije.)
- PP-18.1.31 + (Meden Text is centered. Letter height varies among different lines. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
- PP-18.1.21 + (Meden 13 Letters are of irregular size. At places, the text on the right side crosses over the borderline of the field. Letter 'I' has a dot in 'VITAM', 'GRVBISSA' and the second one in 'FAMILLIA'. Nedostaju dimenzije.)
- PP-18.1.29 + (Meden 16 The text is centered. 'A' has a downward-bent and pointed horizontal bar. <sup>a)</sup>, <sup>b)</sup> Without a sign of abbreviation. Nedostaju dimenzije.)
- PP-18.1.28 + (Meden 17 The text is centered. The inscription is interlingual. Letter 'I' has a dot or a triangle above. Nedostaju dimenzije.)