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PP-3.1.3 + (The inscription is located on the square b … The inscription is located on the square base of the aspergillum in the northern nave. The year is carved on the front, upper side of the square plate of the base. Above it is a molded circular base, a column with a cylindrical body featuring multiple horizontal grooves, and at the top, a basin for holy water. The basin, shaped like a shell with relief projections on the outer side, has a molded edge at the top. The aspergillum was made after the construction of the new church, based on the older aspergillum located in the southern nave.The church was built in 1893 on the site of an older, smaller church with an adjacent cemetery and bell tower. At the end of the 19th century, the reconstruction of St. Agnes Church began, and the cemetery was relocated. The design for the new church was created by architect Andjelo Meyer in 1891. The church was built during the tenure of parish priest Andrea Bylica and was consecrated in 1894 by the Bishop of Poreč and Pula, Ivan Krstitelj Flapp. The church is a three-aisled basilica with an apse and two bell towers. Both bell towers were completed in 1912.. Both bell towers were completed in 1912.)
PP-10.3.2 + (The inscription is located on the lower be … The inscription is located on the lower beam of a window with a pointed arch, which is situated on the northern side of the main facade of the church. The inscription is located within a rectangular inscription field. Vertically prolongated letters on a smoothened quandrangular part of the otherwise rough sill. Letter 'A has a distinctively low horizontal bar.The word can be Italian or Latin (where the classical regular spelling would be 'eleemosyna', from Greek ἐλεημοσύνη)ld be 'eleemosyna', from Greek ἐλεημοσύνη))
PP-16.1.1 + (The inscription is located on the keystone … The inscription is located on the keystone of the main portal of the church, at the top of the profiled gable that surmounts the semicircular, stepped arches of the entrance. The portal arches rest on columns on each side, which stand on square pedestals. The keystone is trapezoidal in shape and is split down the middle. The inscription is positioned in the lower half of the keystone. At the top, there is a stone Latin cross.Dimensions not taken because of the inaccessibility. not taken because of the inaccessibility.)
PP-16.1.3 + (The inscription is located on the altar of … The inscription is located on the altar of St. Anthony of Padua, raised on steps. It is carved on a rectangular subpedaneum, above which rises the stipes. The subpedaneum, as well as the stipes and the upper part of the altar, are decorated with multicolored marble inlays.'A' has a downward-bent pointed crossbar. 'A' has a downward-bent pointed crossbar.)
PP-14.1.4 + (The inscription is located on the lintel o … The inscription is located on the lintel of the portal, with a lunette above it, within which the central depiction has not been preserved. The year is engraved in Roman numerals on the lintel, and between them is inserted the Christogram. The Christogram is placed within a sun motif, positioned at the center of the lintel.f, positioned at the center of the lintel.)
PP-3.1.2 + (The inscription is located on the square b … The inscription is located on the square base of the aspergillum in the southern nave. The year is carved in a rectangular field on the front, upper side of the lower square plate of the base. The base is decorated in the corners with three-lobed and triangular motifs carved in shallow relief. A smaller upper square plate sits on the lower one, with identical three-lobed motifs in the corners, mirrored in relation to the lower ones. Above it is a molded circular base, a column with a cylindrical body, and at the top, a basin for holy water. The basin, shaped like a shell with relief projections on the outer side, has a molded edge at the top. The aspergillum originates from the older church.The church was built in 1893 on the site of an older, smaller church with an adjacent cemetery and bell tower. At the end of the 19th century, the reconstruction of St. Agnes Church began, and the cemetery was relocated. The design for the new church was created by architect Andjelo Meyer in 1891. The church was built during the tenure of parish priest Andrea Bylica and was consecrated in 1894 by the Bishop of Poreč and Pula, Ivan Krstitelj Flapp. The church is a three-aisled basilica with an apse and two bell towers. Both bell towers were completed in 1912.. Both bell towers were completed in 1912.)
PP-31.1.2 + (The inscription is located within a stone … The inscription is located within a stone tabernacle embedded in the wall of the northern aisle of the church. The tabernacle originates from an earlier church. Traces of color are visible on it, suggesting that the tabernacle, in addition to its relief decorations, was originally adorned with painting. The upper part of the tabernacle has a compartment (with metal doors) framed by a wreath of vine, and at the corners, in medallions, are symbols of the four evangelists. To the left and right of the compartment, there is a shallow niche, vaulted with a shell-shaped dome and a cupola, bordered by small columns. Next to the niches, there is a half-column and a pilaster, and above them stretches a wreath made of two rows of leaves. The lower part of the tabernacle is occupied by an inscription, executed on a scroll, which is supported by two naked angels.The lower part is almost cracked in the center, and the crack is filled with a bonding material.pukla na pola, sekundarno ugrađena iz stare crkve, vide se tragovi polikromije; natpis je u formi svitkaText justified left and right.rmi svitka Text justified left and right.)
X-M.1.7 + (The inscription plaque is damaged at the top and in the corners of the bottom side.)
X-M.1.10 + (The memorial plaque dedicated to the restoration of the church by Giulio Saraceno, Bishop of Pula.)
X-M.1.18 + (The plaque is dated at the end of 15th cen … The plaque is dated at the end of 15th century.De Franceschi publishes a transcription of the inscription, for which he states that the fragment is preserved in the Museo civico di Pola and that it was found in 1845 by Giovanni Carrara.Nadopuna transkripcije prema De Franceschiju.opuna transkripcije prema De Franceschiju.)
X-M.1.15 + (The plaque is fragmented and consists of t … The plaque is fragmented and consists of three pieces that connect. A profiled edge, with rounded protrusions at the corners, frames the inscription. On each rounded corner, there is a shallowly carved quatrefoil. On both sides, to the left and right of the seventh line, there are engraved undefined symbols (coats of arms) with a crown on top and stars inside the shield.The text is centered. inside the shield. The text is centered.)
PP-3.6.1 + (The present church of St. Peter on Borbola … The present church of St. Peter on Borbolan was built on the site of an earlier church. Its remains suggest that the church had a pre-Romanesque phase. There was also a village in the area, which was abandoned in 1456. The present church was rebuilt in 1928, and it was also renovated in 1999, as evidenced by two inscription plaques above the portal on the western façade. The plaque about the construction from 1928 is written in Latin, while the plaque about the renovation from 1999, located below it, is in Croatian. The new church, built in 1928, received an apse, a porch on the western façade, and a bell tower 4.50 meters high, which the previous church did not have. Additionally, the new church was narrower on the northern side, and its floor was raised by 1 meter compared to the old church.The church was destroyed and looted after World War II. At that time, the statue of St. Peter was relocated to the parish church. It was renovated in 1999, as evidenced by the aforementioned inscription.idenced by the aforementioned inscription.)
X-M.1.6 + (The rectangular inscription field, slightl … The rectangular inscription field, slightly raised, is located in the middle of the square plaque. The plaque had previously been damaged and broken into four pieces. In some areas of subsequent repairs, certain letters are harder to read.'A' with bent sharped crossbar; 'I' with dot above.bent sharped crossbar; 'I' with dot above.)
PP-16.1.2 + (The rectangular plaque with the inscriptio … The rectangular plaque with the inscription in the center is vertically embedded in the northern wall of the church. The plaque is slightly recessed inward, while the surrounding, more prominent part of the wall represents newer layers of the church's facade. The plaque has two deeper damages on the left side (one at the top and one at the bottom). In the lower part, the stone is partially cracked.ower part, the stone is partially cracked.)
PP-18.16.1 + (The text is centered, in small capitals (only proper names, beginning of the inscription and 'DOMINE DEVS' are large). The letters were filled with black ink, which is partly preserved.)
PP-19.1.8 + (The text is left and right justified. The letters are painted in black, teh fild is in dirty uneven white and brown colour. The script is small capitals, with large initials. Cf. Mt 11,30)
PP-14.1.2 + (The tombstone in the floor, in front of th … The tombstone in the floor, in front of the sanctuary and altar on the southern side wall. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is square. The plaque is partially damaged with a worn surface. Two metal loops for lifting are preserved.The text is justified left and right, so that in lines 2, 3 and 4 the words are disproportionatelly separated.e words are disproportionatelly separated.)
PP-14.1.1 + (The tombstone in the floor, next to the ma … The tombstone in the floor, next to the main entrance. The square plaque is inserted within a frame of the same shape, and in the center, there is an inscription field. The inscription field is square with softly recessed corners. It is partially damaged, with visible metal pegs and a worn surface. The text in the second and third lines starts to the righr of the pegs, which suggests that it was added after them.Letter 'I', which is capital in all places, has a dot above. 'A' has a downward bent andangled crossbar. Number '1' looks like a capital 'I' (without a dot). looks like a capital 'I' (without a dot).)
PP-14.1.5 + (The tombstone in the floor, north of the e … The tombstone in the floor, north of the entrance to the church. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is square, and in the middle of the upper side, a Latin cross rises within a frame. The plaque is partially damaged, with a worn surface. Metal pegs and two grooves for lifting loops are preserved.o grooves for lifting loops are preserved.)
PP-14.1.6 + (The tombstone in the floor, south side of … The tombstone in the floor, south side of the church. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is rectangular with a profiled edge and vegetal motifs on the inner side of the field. The ornament in shallow relief covers the entire surface of the plaque and the frame. The decoration consists of multiple-profiled edges, vegetal scrolls, and rosettes, with two larger eight-sided rosettes dominating below and above the inscription field. Metal pegs and grooves for two lifting loops are preserved.All letters 'N' are slanted to the right (like 'M' without the final bar).he right (like 'M' without the final bar).)
X-M.1.14 + (Two fragments of the inscription plaque. On the right fragment, the surface is very worn and this part of the inscription is almost illegible. The text is centered.)
PP-18.19.4 + (Ulomak nekadašnjeg nadvratnika sakristije u crkvi sv. Silvestra u Kanfanaru. The right half of the inscription is lacking. 'T' is partly visible. Nedostaju dimenzije.)
PP-18.1.2 + ([[https://www.dvegrajci.hr/zupna-crkva-sv- … [[https://www.dvegrajci.hr/zupna-crkva-sv-silvestra-kanfanar/ Reference]]The text is centered, written in small capitals (only the first letter of the inscription is larger; 'J' is extended below the baseline). The letters are filled with well preserved black ink. are filled with well preserved black ink.)
PP-31.6.4 + (okvir je profiliran prema van. Justified left, last word in the middle. Small capitals, only first letter in the inscription is larger. Letters coloured in red (initials) and black, black ink mostly faded comletely, red partly.)
PP-18.15.4 + (the inscription field is created by flatte … the inscription field is created by flattenning the middle part of the stone.First two lines are justified to the left (but with a margin), while the third line is centered.'A' has a downward-bent pointed crossbar. '5' is 'S'-shaped. 'I' has a dot above.Nedostaju dimenzije.'I' has a dot above. Nedostaju dimenzije.)

X-M.1.21 + (A rectangular inscription plaque written in Gothic script. The inscription is worn and difficult to read.)

X-M.1.2 + (A memorial plaque dedicated to Bernardin Corniani, Bishop of Pula.)
X-M.1.3 + (A memorial plaque dedicated to Bernardin Corniani, Bishop of Pula.)
X-M.1.4 + (A memorial plaque dedicated to Eleonor Pagello, Bishop of Pula. Letters after abbreviations rasied. 'A' with bent crossbar.)
X-M.1.5 + (A memorial plaque dedicated to Giuseppe Maria Bottari, Bishop of Pula. Centered text. Small capitals with large initials.)
X-M.1.9 + (A memorial plaque dedicated to Matteo Barbabianca, Bishop of Pula. Text centered.)
X-M.1.21 +
X-M.1.23 + (A square inscription plaque written in Gothic script. The bottom right corner of the plaque is broken off and later rejoined. The inscription is worn and difficult to read. Almost entirely illegible.)
PP-16.2.1 + (Chapel is found in a private land in Ušićevi Dvori. Dimensions were not taken because of inaccessibility. The first part of the inscription is above the bell in the bell-cot; the second part is below, on the beam supporting the bell-cot.)
PP-18.1.9 + (Continuation of previous inscription. Nedostaju dimenzije.)
PP-19.1.30 + (Continuation of previous inscription. Small capitals with large initials.)
PP-19.1.29 + (Continuation of previous inscription.)
X-M.1.12 + (Damaged on the right and left side, parts of the inscription are missing. The inscription is about bishop of Pula Giovanni Andrea Balbi (Krk, 10.III.1692 – Pula, 23.X.1771). Small capitals; large are initials and 'BALBA'.)
X-M.1.26 + (Four fragments of the tombstone of a membe … Four fragments of the tombstone of a member of the Sforza family (?).Found during systematic archaeological research in 2017 in a recent layer north of the building of the Archaeological Museum of Istria, i.e. above the entrance to Zerostrasse.The inscription is preserved on two of four fragments of plaque. The inscriptions are partially preserved. One of them is located in cartouche (kartuša). A part of the coat of arms has been preserved on one fragment.f arms has been preserved on one fragment.)
X-M.1.19 + (Fragment of an inscription plate written in Gothic script. The upper left corner of the plate is preserved. In the lower right corner of the fragment, the remains of an undefined relief decoration are visible. Čini se da je natpis raniji, možda 15. st.)
PP-19.1.14 + (Inscription has superficial damage which r … Inscription has superficial damage which renders some letters illegible. Letters are filled with partly preserved ink. The text is centered.Neće ući u katalog jer je na talijanskom; vjerojatno se može pročitati, ali samo na licu mjesta ili s boljim fotografijama.na licu mjesta ili s boljim fotografijama.)
PP-8.8.5 + (Inscription in Modern Greek (maybe transliterated to Latin script).)
PP-8.8.4 + (Inscription in Modern Greek.)
PP-18.1.20 + (Meden 10 The upper part of the inscription … Meden 10The upper part of the inscription is destroyed. Only the lower part of most of the first legible line is visible.Nedostaju dimenzije.In the upper part of the inscription field, the plaque is damaged. These areas have been subsequently filled with a binding material.bsequently filled with a binding material.)
PP-18.1.28 + (Meden 17 The text is centered. The inscription is interlingual. Letter 'I' has a dot or a triangle above. Nedostaju dimenzije.)
PP-18.1.24 + (Meden 23 The inscription is centered. Some words are not divided by a blank space. Nedostaju dimenzije. Cf. Ps 130,1)
PP-19.1.7 + (Natpisno polje i slova nisu izmjerena zbog visine. Black-painted engraved letters on the grey inscription plaque. The text is centered. Letters in the first line and the lanes with the Pope's Peteani's names are bold and larger.)
X-M.1.17 + (Ne pripada katalogu jer je iz 13. st. It … Ne pripada katalogu jer je iz 13. st.It is located in the Franciscan Monastery Church of St. Francis in Pula. It is part of the collection of the Archaeological Museum of Istria.A plaque with an engraved cross, whose transverse horizontal beam (antenna) has rounded ends, and the ends of the vertical beam (patibulum) are not preserved. The inscription is inside the cross and in the left corner between the antenna and the patibulum. In the lower left corner, there is a depiction of a dog leaping towards the cross.Inscription along the horizontal beam: MAGISTER C/AMELLETO FEC(IT) HO(C) / PALA/(C)TI(O)UMInscription on the vertical beam: MARIA CISCA DOLTO (?) FECIT (FA/C)ERE HOC SERVI(C)I(O) ET REDEM(C)IONE A(NIM)E / SUEInscription in the corner between the beams: PALA/CIOThe plaque is dated to the 13th century.It was found among the materials of a house destroyed during the bombing in 1944, at the intersection of Benediktinske opatije Street (ex Via dell'Abbazia) and Flaciusova Street (Via Garibaldi).ia) and Flaciusova Street (Via Garibaldi).)
X-M.1.16 + (Raised inscription surface. Recessed edge of the plaque. A memorial plaque dedicated to Alojzije Marcello, Bishop of Pula. The text is centered.)
PP-10.2.1 + (The acroterion at the top, in the middle o … The acroterion at the top, in the middle of the southwest facade of the church. The acroterion has the shape of a truncated pyramid on a square base, with a metal Latin cross at its top. The inscription is located on the front side of the acroterion.The church was dedicated on the All Saints' Day, November 1, 1931.The text is centered.The inscription was not measured because of the height.on was not measured because of the height.)
PP-21.1.1 + (The altar is placed in a protruding apse r … The altar is placed in a protruding apse raised by two steps. Its stipes are decorated with inlays of colorful marble. The altar is placed in a apse. In the central part of the altar is a painting made by Girolamo Pellegrini (1624 - after 1700) with a scene of the Annunciation. The altar is flanked with Corinthian columns that support a semicircular pediment with a central protruding console. The rear part of the altar is made of stone blocks, on which there are two donor inscriptions. The inscription on the south side is transcribed here. Kudiš believes that the altar was modeled after the one of Our Lady of the Rosary from the Paduan church of St. Anthony, work of Baldassare Longhena (1598 - 1682), and Tulić also agrees. He adds similarities with the main altar of the Franciscan church in Zadar and with the former main altar of the church of San Daniele di Castello in Venice, but also similarities with the altars of Giuseppe Sardi and Alessandro and Paolo Tremignon. From this altar, a marble reliquary containing the remains of Saint Victoria was transferred to the altar of the Holy Sacrament in 1709, and arched passages were added to it in the mid-18th century. Arched passages left and right were added to the altar in the mid-18th century. This altar is considered to be the most significant 17th-century altarists work in the Diocese of Poreč and Pula.The text is centared. The first line (name) is larger than the rest. The letters are straight, but not entirely regular.'A' has a bent pointed crossbar. 'I' has a dot.Boris Vučić Šneperger published the text with a transcription: HERMOLAI * GRIMANIRELIGIOSA * MUNIF*ECCL * HANC * XP'I * SPONATAAN'VIS * DOTAVIT * REDITIBPLVRIMIS * DITAVIT * MUNERIBHVIVS Q'XARAE *PIA * DECORAVIT * ERECTIONE- in: Crkva sv. Marijina navještenja u Svetvinčentu. Prostor : znanstveni časopis za arhitekturu i urbanizam, Vol. 3 No. 2(10), 1995, p. 339 footnote 13.Nina Kudiš published the text with an interpretative transcription made by Nenad Labus: HERMOLAI GRIMANI/ RELIGIOSA MVNIF(ITIENTIA)/ ECCL(ESIAE) HANC XP(IST)I SPONATA (SUE SPONTAE)/ ANVIS DOTAVIT REDITIB(US)/ PLVRIMIS DITAVIT MVNERIB(US)/ HVIVSQ(UE) ARAE/ PIA DECORAVIT ERECTIONE. - in: UNA PROPOSTA PER GIROLAMO PELLEGRINI A SANVINCENTI IN ISTRIA. Un'identita': custodi dell'arte e della memoria, ARTE (Documento), Quaderni 12, 2007, p. 288 footnote 14.Davor Tulić published a scheda with a transcription: HERMOLAI. GRIMANI/ RELIGIOSA MUNIF./ ECCL. HANC. XPI. SPONATA./ ANVES. DOTAVIT. REDITIB./ PLVRIMIS. DITAVIT. MVNERIB./ HVIVSQ. ARAE./ PIA. DECORAVIT ERECTIONE. He reads the name of the donator as Almorò Grimani.- in: Umjetnička baština istarske crkve - Kiparstvo 2 / Patrimonio artistico della chiesa istriana - Scultura 2, 2017, p. 238-239.a istriana - Scultura 2, 2017, p. 238-239.)