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- PP-18.16.2 + (The inscription is broken in two fragments … The inscription is broken in two fragments, the smaler one of which contains upper-right part. The upper-central triangle-shaped segment with a part of letter 'M' and almost entire letter 'E' in 'INSTRVMENTVM' is missing.</br></br>The text is centered, the letters are small capitals (two first words begin with a large letter). </br></br>Nedostaju dimenzije.th a large letter). Nedostaju dimenzije.)
- PP-14.1.3 + (The inscription is embedded in the wall ne … The inscription is embedded in the wall near the entrance to the sacristy. The plaque is rectangular with a single-profiled edge. The engraved letters are painted black, although in some places the paint has worn off.</br></br>The text is written in small capitals with every word starting with a taller letter. Final 'S' in 'COMMVNITATIS', 'DOCVMENTIS' and 'COMMVNITAS', 'R' in 'VENERANTUR' and 'O' in 'LAVRENTIO' are superscript.</br></br>The year is written in a curious mixture of Roman and Arabic numerals.</br></br>Francesco Bartiroma, generalni vikar pulskog biskupa 1658?oma, generalni vikar pulskog biskupa 1658?)
- PP-10.3.1 + (The inscription is located above the bell … The inscription is located above the bell tower's belfry (which is missing two bells) on the main facade of the church. It is placed on the front side of the square base that stands at the center of the belfry's peak, and which bears a Latin cross at its top. The upper part of the base is decorated with a row of teeth, which continuously encircle the entire base.</br></br>The dimensions could not be taken because of the inaccessibility.</br></br>The text is centered. The letters in 'VIRGINI' is about 1/3 taller than in other words.' is about 1/3 taller than in other words.)
- PP-3.1.1 + (The inscription is located in the center o … The inscription is located in the center of the triumphal arch of the church, within an almost trapezoidal field with a molded edge. The letters of the inscription are carved and painted in black, while the remaining surface of the field, as well as the triumphal arch, are painted white. The inscription contains a text from the New Testament: "Behold, the tabernacle of God with men" (Revelation 21:3), along with the year of the church's construction, 1893. The church was built on the site of an older, smaller church with an adjacent cemetery and bell tower. At the end of the 19th century, the reconstruction of St. Agnes Church began, and the cemetery was relocated. The design for the new church was made by architect Andjelo Meyer in 1891. The church was constructed during the tenure of parish priest Andrea Bylica and was consecrated in 1894 by the Bishop of Poreč and Pula, Ivan Krstitelj Flapp. The church is a three-naved basilica with an apse and two bell towers. Both bell towers were completed in 1912.</br></br>The inscription was not measured because of the height.on was not measured because of the height.)
- PP-10.3.2 + (The inscription is located on the lower be … The inscription is located on the lower beam of a window with a pointed arch, which is situated on the northern side of the main facade of the church. The inscription is located within a rectangular inscription field. </br></br>Vertically prolongated letters on a smoothened quandrangular part of the otherwise rough sill. Letter 'A has a distinctively low horizontal bar.</br></br>The word can be Italian or Latin (where the classical regular spelling would be 'eleemosyna', from Greek ἐλεημοσύνη)ld be 'eleemosyna', from Greek ἐλεημοσύνη))
- PP-10.3.3 + (The inscription is located on the lower be … The inscription is located on the lower beam of a window with a pointed arch, which is situated on the southern side of the main facade of the church. The inscription is located within a rectangular inscription field. In the center of the beam, there is a vertical damage.</br></br>The stone is broken in two parts - the crack goes horizontally along the letter 'I'.</br></br>Vertically prolongated letters on a smoothened quandrangular part of the otherwise rough sill. Letter 'A has a distinctively low horizontal bar.</br></br>The word can be Italian or Latin (where the classical regular spelling would be 'eleemosyna', from Greek ἐλεημοσύνη)ld be 'eleemosyna', from Greek ἐλεημοσύνη))
- PP-31.1.2 + (The inscription is located within a stone … The inscription is located within a stone tabernacle embedded in the wall of the northern aisle of the church. The tabernacle originates from an earlier church. Traces of color are visible on it, suggesting that the tabernacle, in addition to its relief decorations, was originally adorned with painting. The upper part of the tabernacle has a compartment (with metal doors) framed by a wreath of vine, and at the corners, in medallions, are symbols of the four evangelists. To the left and right of the compartment, there is a shallow niche, vaulted with a shell-shaped dome and a cupola, bordered by small columns. Next to the niches, there is a half-column and a pilaster, and above them stretches a wreath made of two rows of leaves. The lower part of the tabernacle is occupied by an inscription, executed on a scroll, which is supported by two naked angels.</br>The lower part is almost cracked in the center, and the crack is filled with a bonding material.</br></br>pukla na pola, sekundarno ugrađena iz stare crkve, vide se tragovi polikromije; natpis je u formi svitka</br></br>Text justified left and right.rmi svitka Text justified left and right.)
- PP-19.1.12 + (The letters are brown-coloured, on black surface, in small capital (with various lines in various sizes). Large letters start lines, proper names and the word 'AERE'. First line is entire in large capitals. <sup>a)</sup> Abbreviated as 'S.S.'.)
- X-M.1.15 + (The plaque is fragmented and consists of t … The plaque is fragmented and consists of three pieces that connect. A profiled edge, with rounded protrusions at the corners, frames the inscription. On each rounded corner, there is a shallowly carved quatrefoil. On both sides, to the left and right of the seventh line, there are engraved undefined symbols (coats of arms) with a crown on top and stars inside the shield.</br></br>The text is centered. inside the shield. The text is centered.)
- X-M.1.6 + (The rectangular inscription field, slightl … The rectangular inscription field, slightly raised, is located in the middle of the square plaque. The plaque had previously been damaged and broken into four pieces. In some areas of subsequent repairs, certain letters are harder to read.</br></br>'A' with bent sharped crossbar; 'I' with dot above.bent sharped crossbar; 'I' with dot above.)
- PP-18.17.1 + (The text follows an arc trajectory, with irregular letters and almost <i>scriptio continua</i>. Ps 71,1)
- PP-18.16.1 + (The text is centered, in small capitals (only proper names, beginning of the inscription and 'DOMINE DEVS' are large). The letters were filled with black ink, which is partly preserved.)
- PP-19.1.13 + (The text is centered, the letters are painted in black; the paint is partly preserved. Chronogram is incorporated in final two lines.)
- PP-18.1.3 + (The text is centered. Letters are small capitals, the beginning of every word is capitalised. Nedostaju dimenzije.)
- PP-19.1.8 + (The text is left and right justified. The letters are painted in black, teh fild is in dirty uneven white and brown colour. The script is small capitals, with large initials. Cf. Mt 11,30)
- PP-14.1.1 + (The tombstone in the floor, next to the ma … The tombstone in the floor, next to the main entrance. The square plaque is inserted within a frame of the same shape, and in the center, there is an inscription field. The inscription field is square with softly recessed corners. It is partially damaged, with visible metal pegs and a worn surface. The text in the second and third lines starts to the righr of the pegs, which suggests that it was added after them.</br></br>Letter 'I', which is capital in all places, has a dot above. 'A' has a downward bent andangled crossbar. Number '1' looks like a capital 'I' (without a dot). looks like a capital 'I' (without a dot).)
- PP-14.1.6 + (The tombstone in the floor, south side of … The tombstone in the floor, south side of the church. A rectangular plaque is inserted within a frame of the same shape, with an inscription field in the center. The inscription field is rectangular with a profiled edge and vegetal motifs on the inner side of the field. The ornament in shallow relief covers the entire surface of the plaque and the frame. The decoration consists of multiple-profiled edges, vegetal scrolls, and rosettes, with two larger eight-sided rosettes dominating below and above the inscription field. Metal pegs and grooves for two lifting loops are preserved.</br></br>All letters 'N' are slanted to the right (like 'M' without the final bar).he right (like 'M' without the final bar).)
- PP-19.19.3 + (The year 1592, carved into the lintel abov … The year 1592, carved into the lintel above the entrance door, marks the year when a covered porch was added to the church and the facade was repaired.</br></br>The first and the last lines are centered, the middle lines are justified left and right. </br></br>The text is in small capitals with large initials, with no blank spaces between words.</br></br>'I' has a dot above, '1' is shaped like 'I'.' has a dot above, '1' is shaped like 'I'.)
- PP-21.2.3 + (This is the tomb slab of Petar Stancovich' … This is the tomb slab of Petar Stancovich's brother Martin.</br></br>Centered text, very regular capital with enlarged initial letters of NICHIL and all from EGO to DOCTOR except for AC. Orthography is modern.</br></br>Cic., Cato 74: "Moriendum enim certe est, et incertum an hoc ipso die."</br></br>https://hrcak.srce.hr/file/121293, p. 118</br>https://barban.hr/wp-content/uploads/2024/10/2.pdf, p. 97hr/wp-content/uploads/2024/10/2.pdf, p. 97)
- PP-18.1.2 + ([[https://www.dvegrajci.hr/zupna-crkva-sv- … [[https://www.dvegrajci.hr/zupna-crkva-sv-silvestra-kanfanar/ Reference]]</br></br>The text is centered, written in small capitals (only the first letter of the inscription is larger; 'J' is extended below the baseline). The letters are filled with well preserved black ink. are filled with well preserved black ink.)
- PP-31.1.6 + (natpis zbog visine nije bilo moguće izmjeriti, a zbog oštećenosti slova ne može se u potpunosti pročitati Text centered, 'A' with a bent pointed crossbar. Larger are first letters of names and emperor's attributes.)
- PP-31.6.3 + (okvir je profiliran prema van Centered text, red and black ink in letters partly faded.)
- PP-31.6.4 + (okvir je profiliran prema van. Justified left, last word in the middle. Small capitals, only first letter in the inscription is larger. Letters coloured in red (initials) and black, black ink mostly faded comletely, red partly.)
- PP-31.4.1 + (slova su bila ispunjena bojom, ali je boja uglavnom otpala; u jednom kutu malo oštećenje Centered text. Letters were coloured, but the ink is mostly washed away.)
- PP-18.15.4 + (the inscription field is created by flatte … the inscription field is created by flattenning the middle part of the stone.</br></br>First two lines are justified to the left (but with a margin), while the third line is centered.</br></br>'A' has a downward-bent pointed crossbar. '5' is 'S'-shaped. 'I' has a dot above.</br></br>Nedostaju dimenzije.'I' has a dot above. Nedostaju dimenzije.)
- PP-21.2.1 + (<sup>a)</sup>Small letters "ET … <sup>a)</sup>Small letters "ETE" are incarved above the first line, but with the function of sufix of the word VIVE(N)TE in the first row. </br><sup>b)</sup>Small letter "S" with the function of sufix is incarved between MARTINO in the first row and HER in the second row.carved between MARTINO in the first row and HER in the second row.)
- PP-21.1.6 + (<sup>1)</sup>"Post tenebras lu … <sup>1)</sup>"Post tenebras lux" is a Latin phrase translated as Light After Darkness. It appears as Post tenebras spero lucem ("After darkness, I hope for light") in the Vulgate version of Job 17:12. At the end of this line in Svetvinčenat is the letter M incarved above the last word (LUCE-M).</br><sup>2)</sup>Laurencius actually died 1731 acording to Liber defunctorum (year?).urencius actually died 1731 acording to Liber defunctorum (year?).)
- PP-21.2.1 +
- X-M.1.4 + (A memorial plaque dedicated to Eleonor Pagello, Bishop of Pula. Letters after abbreviations rasied. 'A' with bent crossbar.)
- X-M.1.5 + (A memorial plaque dedicated to Giuseppe Maria Bottari, Bishop of Pula. Centered text. Small capitals with large initials.)
- PP-21.1.2 + (Boris Vučić Šneperger published the text w … Boris Vučić Šneperger published the text with a transcription: </br>B * VICTORIAE * V* M * CORPVS*</br>IN * HANC * DEIPARAE * AEDEM *</br>EX * ALMA * VRBE * TRASLATVM *</br>KAL * IVN * MDCLXX</br>BARTH * PETRONIO * CO * CAP</br>IO * PET * ABB * TAIAPIERA * ARCH</br>- in: Crkva sv. Marijina navještenja u Svetvinčentu. Prostor : znanstveni časopis za arhitekturu i urbanizam, Vol. 3 No. 2(10), 1995, p. 339 footnote 13.</br></br>Nina Kudiš published the text with an interpretative transcription made by Nenad Labus: </br>B(EATE) VICTORIAE V(IRGO) M(ARTIRI) CORPUS/ IN HANC DEIPARAE AEDEM/ EX ALMA VRBE TRANSLATVM/ KAL(ENDAE) IVN(II) MDCLXX/ BARTH(OLOMEUS) PETRONIO CO(MITE) CAP(ITANEO)/ IO(HANNES) PET(RUS) ABB(ATE) TAIAPIERA ARCH(IPRETE). </br>- in: UNA PROPOSTA PER GIROLAMO PELLEGRINI A SANVINCENTI IN ISTRIA. Un'identita': custodi dell'arte e della memoria, ARTE (Documento), Quaderni 12, 2007, p. 288 footnote 14.</br></br>Damir Tulić published a scheda with a transcription: B. VICTORIAE. V. M. CORPVS/ IN HANC DEIPARAE. AEDEM./ EX. ALMA. VRBE. TRANSLATVM./ KAL. IVN. MDCLXX./ BARTH. PETRONIO. CO. CAP./ IO. PET. ABB. TAIAPIERA. ARCH. </br>- in: Umjetnička baština istarske crkve - Kiparstvo 2 / Patrimonio artistico della chiesa istriana - Scultura 2, 2017, p. 238-239.</br></br>Dark marble. Centered text, slightly irregular capitals, last tvo lines have a bit smaller letters. 'I' has a dot.have a bit smaller letters. 'I' has a dot.)
- PP-31.5.3 + (Centered left and right, letters filled with partly faded ink. Small capitals with slightly larger initials.)
- PP-8.4.1 + (Centered text. The upper line double as high as the lower one.)
- PP-31.5.2 + (Centered, letters partly faded. 'I' with dot, 'A' with bent crossbar.)
- PP-8.3.6 + (Centered. Small capital. Letters after abbreviations raised and smaller. 'I' with a dot.)
- PP-19.1.30 + (Continuation of previous inscription. Small capitals with large initials.)
- X-M.1.12 + (Damaged on the right and left side, parts of the inscription are missing. The inscription is about bishop of Pula Giovanni Andrea Balbi (Krk, 10.III.1692 – Pula, 23.X.1771). Small capitals; large are initials and 'BALBA'.)
- PP-19.16.1 + (First line centered, other lines justified left, last line a little indented. First line and first letter of 'IOSEPH' larger. 'I' has a dot above.)
- PP-21.1.14 + (First line follows a trajectory of an arc. Larger letters contin chronogram and are painted in red. Other letters are painted in black. Chronogram gives 1845.)
- PP-19.1.14 + (Inscription has superficial damage which r … Inscription has superficial damage which renders some letters illegible. Letters are filled with partly preserved ink. The text is centered.</br></br>Neće ući u katalog jer je na talijanskom; vjerojatno se može pročitati, ali samo na licu mjesta ili s boljim fotografijama.na licu mjesta ili s boljim fotografijama.)
- PP-31.6.2 + (Justified left and right, <i>scriptio continua</i>, small capitals with large initials.)
- PP-31.1.3 + (Letters filled with well-preserved black paint. Text centered. Letters slightly irregular, entire names and initial letters of all words are in majuscule.)
- PP-18.1.31 + (Meden Text is centered. Letter height varies among different lines. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
- PP-18.1.11 + (Meden 1 'Q' is abbreviated by means of an arch oriented like and inverted 'U', added to the right of the letter. Nedostaju dimenzije.)
- PP-18.1.20 + (Meden 10 The upper part of the inscription … Meden 10</br>The upper part of the inscription is destroyed. Only the lower part of most of the first legible line is visible.</br></br>Nedostaju dimenzije.</br></br>In the upper part of the inscription field, the plaque is damaged. These areas have been subsequently filled with a binding material.bsequently filled with a binding material.)
- PP-18.1.21 + (Meden 13 Letters are of irregular size. At places, the text on the right side crosses over the borderline of the field. Letter 'I' has a dot in 'VITAM', 'GRVBISSA' and the second one in 'FAMILLIA'. Nedostaju dimenzije.)
- PP-18.1.28 + (Meden 17 The text is centered. The inscription is interlingual. Letter 'I' has a dot or a triangle above. Nedostaju dimenzije.)
- PP-8.3.7 + (Mramorna ploča koja nam govori o podizanju … Mramorna ploča koja nam govori o podizanju oltara u čast sv. Franje, koji je obdaren prema posebnom pismu pape Benedikta XIV dana 04. listopada 1751. godine trajnim privilegijem za korist duša u čistilištu od bilo kojeg svećenika koji na njemu bude misio. (Oreb 1960.)</br></br>Small capitals. 'A' with bent crossbar. Letters filled with black paint, partly deleted.s filled with black paint, partly deleted.)
- PP-19.1.7 + (Natpisno polje i slova nisu izmjerena zbog visine. Black-painted engraved letters on the grey inscription plaque. The text is centered. Letters in the first line and the lanes with the Pope's Peteani's names are bold and larger.)
- PP-19.1.5 + (Natpisno polje i slova nisu izmjerena zbog visine. Small capitals; chronogram letters (1733) are large.)
- PP-19.1.2 + (Natpisno polje i slova nisu izmjerena zbog visine. The text is centered. Acronym in the first line is in largest letters; the names of the two saints are the second by size, 'RVBINENSES PIENTISSIMI' third, and then the rest.)