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PP-3.1.1 + (The inscription is located in the center o … The inscription is located in the center of the triumphal arch of the church, within an almost trapezoidal field with a molded edge. The letters of the inscription are carved and painted in black, while the remaining surface of the field, as well as the triumphal arch, are painted white. The inscription contains a text from the New Testament: "Behold, the tabernacle of God with men" (Revelation 21:3), along with the year of the church's construction, 1893. The church was built on the site of an older, smaller church with an adjacent cemetery and bell tower. At the end of the 19th century, the reconstruction of St. Agnes Church began, and the cemetery was relocated. The design for the new church was made by architect Andjelo Meyer in 1891. The church was constructed during the tenure of parish priest Andrea Bylica and was consecrated in 1894 by the Bishop of Poreč and Pula, Ivan Krstitelj Flapp. The church is a three-naved basilica with an apse and two bell towers. Both bell towers were completed in 1912.The inscription was not measured because of the height.on was not measured because of the height.)
PP-10.3.3 + (The inscription is located on the lower be … The inscription is located on the lower beam of a window with a pointed arch, which is situated on the southern side of the main facade of the church. The inscription is located within a rectangular inscription field. In the center of the beam, there is a vertical damage.The stone is broken in two parts - the crack goes horizontally along the letter 'I'.Vertically prolongated letters on a smoothened quandrangular part of the otherwise rough sill. Letter 'A has a distinctively low horizontal bar.The word can be Italian or Latin (where the classical regular spelling would be 'eleemosyna', from Greek ἐλεημοσύνη)ld be 'eleemosyna', from Greek ἐλεημοσύνη))
PP-3.1.3 + (The inscription is located on the square b … The inscription is located on the square base of the aspergillum in the northern nave. The year is carved on the front, upper side of the square plate of the base. Above it is a molded circular base, a column with a cylindrical body featuring multiple horizontal grooves, and at the top, a basin for holy water. The basin, shaped like a shell with relief projections on the outer side, has a molded edge at the top. The aspergillum was made after the construction of the new church, based on the older aspergillum located in the southern nave.The church was built in 1893 on the site of an older, smaller church with an adjacent cemetery and bell tower. At the end of the 19th century, the reconstruction of St. Agnes Church began, and the cemetery was relocated. The design for the new church was created by architect Andjelo Meyer in 1891. The church was built during the tenure of parish priest Andrea Bylica and was consecrated in 1894 by the Bishop of Poreč and Pula, Ivan Krstitelj Flapp. The church is a three-aisled basilica with an apse and two bell towers. Both bell towers were completed in 1912.. Both bell towers were completed in 1912.)
PP-16.1.3 + (The inscription is located on the altar of … The inscription is located on the altar of St. Anthony of Padua, raised on steps. It is carved on a rectangular subpedaneum, above which rises the stipes. The subpedaneum, as well as the stipes and the upper part of the altar, are decorated with multicolored marble inlays.'A' has a downward-bent pointed crossbar. 'A' has a downward-bent pointed crossbar.)
PP-10.3.2 + (The inscription is located on the lower be … The inscription is located on the lower beam of a window with a pointed arch, which is situated on the northern side of the main facade of the church. The inscription is located within a rectangular inscription field. Vertically prolongated letters on a smoothened quandrangular part of the otherwise rough sill. Letter 'A has a distinctively low horizontal bar.The word can be Italian or Latin (where the classical regular spelling would be 'eleemosyna', from Greek ἐλεημοσύνη)ld be 'eleemosyna', from Greek ἐλεημοσύνη))
PP-16.1.1 + (The inscription is located on the keystone … The inscription is located on the keystone of the main portal of the church, at the top of the profiled gable that surmounts the semicircular, stepped arches of the entrance. The portal arches rest on columns on each side, which stand on square pedestals. The keystone is trapezoidal in shape and is split down the middle. The inscription is positioned in the lower half of the keystone. At the top, there is a stone Latin cross.Dimensions not taken because of the inaccessibility. not taken because of the inaccessibility.)
PP-3.1.2 + (The inscription is located on the square b … The inscription is located on the square base of the aspergillum in the southern nave. The year is carved in a rectangular field on the front, upper side of the lower square plate of the base. The base is decorated in the corners with three-lobed and triangular motifs carved in shallow relief. A smaller upper square plate sits on the lower one, with identical three-lobed motifs in the corners, mirrored in relation to the lower ones. Above it is a molded circular base, a column with a cylindrical body, and at the top, a basin for holy water. The basin, shaped like a shell with relief projections on the outer side, has a molded edge at the top. The aspergillum originates from the older church.The church was built in 1893 on the site of an older, smaller church with an adjacent cemetery and bell tower. At the end of the 19th century, the reconstruction of St. Agnes Church began, and the cemetery was relocated. The design for the new church was created by architect Andjelo Meyer in 1891. The church was built during the tenure of parish priest Andrea Bylica and was consecrated in 1894 by the Bishop of Poreč and Pula, Ivan Krstitelj Flapp. The church is a three-aisled basilica with an apse and two bell towers. Both bell towers were completed in 1912.. Both bell towers were completed in 1912.)
PP-31.1.2 + (The inscription is located within a stone … The inscription is located within a stone tabernacle embedded in the wall of the northern aisle of the church. The tabernacle originates from an earlier church. Traces of color are visible on it, suggesting that the tabernacle, in addition to its relief decorations, was originally adorned with painting. The upper part of the tabernacle has a compartment (with metal doors) framed by a wreath of vine, and at the corners, in medallions, are symbols of the four evangelists. To the left and right of the compartment, there is a shallow niche, vaulted with a shell-shaped dome and a cupola, bordered by small columns. Next to the niches, there is a half-column and a pilaster, and above them stretches a wreath made of two rows of leaves. The lower part of the tabernacle is occupied by an inscription, executed on a scroll, which is supported by two naked angels.The lower part is almost cracked in the center, and the crack is filled with a bonding material.pukla na pola, sekundarno ugrađena iz stare crkve, vide se tragovi polikromije; natpis je u formi svitkaText justified left and right.rmi svitka Text justified left and right.)
X-M.1.15 + (The plaque is fragmented and consists of t … The plaque is fragmented and consists of three pieces that connect. A profiled edge, with rounded protrusions at the corners, frames the inscription. On each rounded corner, there is a shallowly carved quatrefoil. On both sides, to the left and right of the seventh line, there are engraved undefined symbols (coats of arms) with a crown on top and stars inside the shield.The text is centered. inside the shield. The text is centered.)
PP-16.1.2 + (The rectangular plaque with the inscriptio … The rectangular plaque with the inscription in the center is vertically embedded in the northern wall of the church. The plaque is slightly recessed inward, while the surrounding, more prominent part of the wall represents newer layers of the church's facade. The plaque has two deeper damages on the left side (one at the top and one at the bottom). In the lower part, the stone is partially cracked.ower part, the stone is partially cracked.)
PP-19.1.11 + (The sculptures of angels are made of Carrara marble. The dimensions of the altar are: height 705 cm, width 390 cm. The height of the angel sculptures is 163 cm. Nedostaje prvi dio prijevoda.)
PP-18.1.3 + (The text is centered. Letters are small capitals, the beginning of every word is capitalised. Nedostaju dimenzije.)
PP-18.1.5 + (The text is centered. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
PP-18.1.4 + (The text is centered. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
PP-19.1.8 + (The text is left and right justified. The letters are painted in black, teh fild is in dirty uneven white and brown colour. The script is small capitals, with large initials. Cf. Mt 11,30)
PP-14.1.1 + (The tombstone in the floor, next to the ma … The tombstone in the floor, next to the main entrance. The square plaque is inserted within a frame of the same shape, and in the center, there is an inscription field. The inscription field is square with softly recessed corners. It is partially damaged, with visible metal pegs and a worn surface. The text in the second and third lines starts to the righr of the pegs, which suggests that it was added after them.Letter 'I', which is capital in all places, has a dot above. 'A' has a downward bent andangled crossbar. Number '1' looks like a capital 'I' (without a dot). looks like a capital 'I' (without a dot).)
PP-19.19.3 + (The year 1592, carved into the lintel abov … The year 1592, carved into the lintel above the entrance door, marks the year when a covered porch was added to the church and the facade was repaired.The first and the last lines are centered, the middle lines are justified left and right. The text is in small capitals with large initials, with no blank spaces between words.'I' has a dot above, '1' is shaped like 'I'.' has a dot above, '1' is shaped like 'I'.)
X-M.1.14 + (Two fragments of the inscription plaque. On the right fragment, the surface is very worn and this part of the inscription is almost illegible. The text is centered.)
PP-18.19.4 + (Ulomak nekadašnjeg nadvratnika sakristije u crkvi sv. Silvestra u Kanfanaru. The right half of the inscription is lacking. 'T' is partly visible. Nedostaju dimenzije.)
PP-18.10.2 + ([[:Radossi 1995|Radossi 1995]]: 165 Nedostaju dimenzije.)
PP-31.13.1 + (do natpisa nismo mogli doći, već smo ga slikali izvana; u slovima je crna boje, trapezoidnog oblika Centered. Made by a famous self-taught artist.)
PP-31.6.4 + (okvir je profiliran prema van. Justified left, last word in the middle. Small capitals, only first letter in the inscription is larger. Letters coloured in red (initials) and black, black ink mostly faded comletely, red partly.)
PP-8.1.5 + (ref. Filantropija...? 2016, str. 16 Justified left. 'A' with bent pointed crossbar.)
PP-18.13.3 + (ref. [[:Radossi 1995|Radossi 1995]]: 144 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
PP-18.15.4 + (the inscription field is created by flatte … the inscription field is created by flattenning the middle part of the stone.First two lines are justified to the left (but with a margin), while the third line is centered.'A' has a downward-bent pointed crossbar. '5' is 'S'-shaped. 'I' has a dot above.Nedostaju dimenzije.'I' has a dot above. Nedostaju dimenzije.)

PP-18.1.8 + ('HOC TEMPLUM' is smaller, placed to the left, differently made and without ink. The rest has a well-preserved ink. 'A(NNO) 1923.' is to the right, but has ink and is more similar in shape to the main part. Nedostaju dimenzije.)

PP-18.1.1 + ('A' has a downward-bent pointed crossline. Final 'IS' in 'CANONICIS' and 'O' in 'MAGISTRO' are superscript. Nedostaju dimenzije.)
PP-21.1.2 + (Boris Vučić Šneperger published the text w … Boris Vučić Šneperger published the text with a transcription: B * VICTORIAE * V* M * CORPVS*IN * HANC * DEIPARAE * AEDEM *EX * ALMA * VRBE * TRASLATVM *KAL * IVN * MDCLXXBARTH * PETRONIO * CO * CAPIO * PET * ABB * TAIAPIERA * ARCH- in: Crkva sv. Marijina navještenja u Svetvinčentu. Prostor : znanstveni časopis za arhitekturu i urbanizam, Vol. 3 No. 2(10), 1995, p. 339 footnote 13.Nina Kudiš published the text with an interpretative transcription made by Nenad Labus: B(EATE) VICTORIAE V(IRGO) M(ARTIRI) CORPUS/ IN HANC DEIPARAE AEDEM/ EX ALMA VRBE TRANSLATVM/ KAL(ENDAE) IVN(II) MDCLXX/ BARTH(OLOMEUS) PETRONIO CO(MITE) CAP(ITANEO)/ IO(HANNES) PET(RUS) ABB(ATE) TAIAPIERA ARCH(IPRETE). - in: UNA PROPOSTA PER GIROLAMO PELLEGRINI A SANVINCENTI IN ISTRIA. Un'identita': custodi dell'arte e della memoria, ARTE (Documento), Quaderni 12, 2007, p. 288 footnote 14.Damir Tulić published a scheda with a transcription: B. VICTORIAE. V. M. CORPVS/ IN HANC DEIPARAE. AEDEM./ EX. ALMA. VRBE. TRANSLATVM./ KAL. IVN. MDCLXX./ BARTH. PETRONIO. CO. CAP./ IO. PET. ABB. TAIAPIERA. ARCH. - in: Umjetnička baština istarske crkve - Kiparstvo 2 / Patrimonio artistico della chiesa istriana - Scultura 2, 2017, p. 238-239.Dark marble. Centered text, slightly irregular capitals, last tvo lines have a bit smaller letters. 'I' has a dot.have a bit smaller letters. 'I' has a dot.)
PP-31.5.3 + (Centered left and right, letters filled with partly faded ink. Small capitals with slightly larger initials.)
PP-8.3.6 + (Centered. Small capital. Letters after abbreviations raised and smaller. 'I' with a dot.)
PP-16.2.1 + (Chapel is found in a private land in Ušićevi Dvori. Dimensions were not taken because of inaccessibility. The first part of the inscription is above the bell in the bell-cot; the second part is below, on the beam supporting the bell-cot.)
PP-18.1.9 + (Continuation of previous inscription. Nedostaju dimenzije.)
PP-4.2.1 + (Crkva se nalazi u Kostanjici, u blizini lo … Crkva se nalazi u Kostanjici, u blizini lokve.Natpis je fragmentarno sačuvan i ugrađen u pročelje crkve naopako.Ne ulazi u katalog.Pročelje – natpis spominje sv. Mariju i Kostanjicu - 1300. gotica - uzidan naopako pri preuređenju u 2. ½ 17.st - gradnja crkve povezana je s pulskom katedralom - CHASTAGNO MARIA- Sveci relikvije u pulskoj katedrali - 2. i 3. red: BAXEIO SALAMON DIMITRI (Blaž, Salomon, Demetrije)- dio koji nedostaje: Flor, Juraj, TeodorIspod glavnog oltara pulske katedrale 5 relikvijara - sv. Jurja, solinski biskupi- mučenici - sv. Teodora, solinski biskupi- mučenici - sv. Dimitrija, (Sirmij?)- sv. Bazilija, priznavaoc- sv. Flora i - bl. Salomona, bivšega ugarskog kraljaKada je i u kojim okolnostima naručena gradnja crkve i njezino uređenje nije poznato, ali ona je bila na neki način usko povezana s pulskom katedralom. O tome svjedoči u zapadno pročelje crkve uzidan naopako okrenut natpis na okrugloj gotici kojemu nedostaju lijevi, desni i gornji dio, i koji spominje Kostanjicu kao CHASTAGNO. Autor natpisa spominje svece čije se relikvije nalaze u pulskoj katedrali pa u drugom i trećem redu kleše: … BAXEIO • SALAMON … DIMITRI • zazivajući sv. Blaža, sv. Salomona, sv. Demetrija; u otkrhnutom dijelu vjerojatno je zazivao i sv. Flora, sv. Jurja i sv. Teodora u. U posljednjem se redu spominje titular naše crkve - MARIA. Ovako fragmentaran našao se vjerojatno u pročelju crkve prilikom novog preuređenja u drugoj polovini 17. stoljeća.reuređenja u drugoj polovini 17. stoljeća.)
X-M.1.12 + (Damaged on the right and left side, parts of the inscription are missing. The inscription is about bishop of Pula Giovanni Andrea Balbi (Krk, 10.III.1692 – Pula, 23.X.1771). Small capitals; large are initials and 'BALBA'.)
PP-19.16.1 + (First line centered, other lines justified left, last line a little indented. First line and first letter of 'IOSEPH' larger. 'I' has a dot above.)
PP-31.6.2 + (Justified left and right, scriptio continua, small capitals with large initials.)
PP-23.1.2 + (Justified left and right. Ps. 115,1)
PP-31.6.1 + (Malo oštećen na rubovima i izblijedio. Dimenzije su priblžne jer je natpis teško dostupan. Scriptio continua, left and right justified.)
PP-18.1.32 + (Meden 'A' with downward-bent pointed crossbar. a) 'PRO' is considerably larger than the rest of the text. Nedostaju dimenzije.)
PP-18.1.31 + (Meden Text is centered. Letter height varies among different lines. 'A' has a downward-bent pointed crossbar. Nedostaju dimenzije.)
PP-18.1.11 + (Meden 1 'Q' is abbreviated by means of an arch oriented like and inverted 'U', added to the right of the letter. Nedostaju dimenzije.)
PP-18.1.20 + (Meden 10 The upper part of the inscription … Meden 10The upper part of the inscription is destroyed. Only the lower part of most of the first legible line is visible.Nedostaju dimenzije.In the upper part of the inscription field, the plaque is damaged. These areas have been subsequently filled with a binding material.bsequently filled with a binding material.)
PP-18.1.27 + (Meden 11, 12, 15, 19 ILI 21, jako izlizan natpis Nedostaju dimenzije.)
PP-18.1.30 + (Meden 11, 12, 15, 19 ili 21, izuzetno izlizan natpis Nedostaju dimenzije.)
PP-18.1.21 + (Meden 13 Letters are of irregular size. At places, the text on the right side crosses over the borderline of the field. Letter 'I' has a dot in 'VITAM', 'GRVBISSA' and the second one in 'FAMILLIA'. Nedostaju dimenzije.)
PP-18.1.22 + (Meden 14 Nedostaju dimenzije. Job 14,5)
PP-18.1.29 + (Meden 16 The text is centered. 'A' has a downward-bent and pointed horizontal bar. a), b) Without a sign of abbreviation. Nedostaju dimenzije.)
PP-18.1.28 + (Meden 17 The text is centered. The inscription is interlingual. Letter 'I' has a dot or a triangle above. Nedostaju dimenzije.)
PP-18.1.23 + (Meden 18 Nedostaju dimenzije.)
PP-18.1.26 + (Meden 20 The text is centered. Nedostaju dimenzije.)
PP-18.1.25 + (Meden 20, loše očuvan natpis Nedostaju dimenzije.)