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This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.

List of results

PP-18.1.25 + (A square tombstone, within a frame, located in the floor of the church. The inscription field, without a border, is positioned in the center of the stone. No decorations)
PP-18.1.30 + (A tombstone in the floor of the church. The damage in the center is filled with a binding material. The inscription field, without a border, is centered on the stone. No decorations.)
PP-18.1.27 + (A tombstone set into the church floor. The inscription field, without a border, is located in the center of the stone. No decorations.)
PP-3.5.1 + (A trapezoidal inscription field with a profiled edge. At the top and bottom, there is a rounded projection, with relief rosettes sculpted in the center of each.)
PP-21.1.7 + (Above the small holy water font (stoup), a … Above the small holy water font (stoup), a stone slab divided into two parts was built into the sacristy wall. On the upper, larger part, in the shape of a square, the IHS is carved, with a star relief above and below the letters I and H, while above the letter H is a cross with an extended central hasta, and below the same letter are three arrows and a star. In the lower part of the relief slab, which occupies a fifth of the total height, the year 1704 is carved.the total height, the year 1704 is carved.)
PP-5.2.1 + (Above the two-arched belfry is a ornamente … Above the two-arched belfry is a ornamented gable, consisting of two volute-shaped elements, between which is a stylized conical body with a human head. The motif was placed on a square base in the middle. The inscription is on the base, not visible from the position of the observer so it need to be photographed using the drone.t need to be photographed using the drone.)
PP-21.8.2 + (Above the two-arched belfry is an ornament … Above the two-arched belfry is an ornamented gable, consisting of two volute-shaped elements connected in the middle, above which is a base for metal cross in the shape of two globes on top of each other. On the first sphere is the year 1742 engraved in arabic numbers. the year 1742 engraved in arabic numbers.)
PP-18.1.24 + (An octagonal tombstone in the church floor … An octagonal tombstone in the church floor, set within a frame of the same shape. The inscription field is square, located in the center of the slab. The square inscription field features quarter-circular inlets at the corners, relief-decorated with a flower motif (?) that has petals fanning out. The edge of the inscription field is profiled. The inscription within the field is centered. inscription within the field is centered.)
PP-18.1.26 + (An octagonal tombstone in the church floor, set within a square frame with an engraved octagonal border. The square inscription field, with a border, is centered on the slab. No decoration.)
PP-31.1.2 + (anđeli drže svitak)
PP-21.1.4 + (At the beginning and in the end of the inscription there is small motive of triangal.)
PP-31.1.5 + (At the bottom of each of the two main fields a skull with crossed bones.)
PP-19.1.6 + (Black-painted engraved letters on the lintel.)
PP-19.1.13 + (Coat of arms in middle bottom part.)
PP-31.1.6 + (cvjetovi u četiri kuta natpisnoga polja)
X-M.1.19 + (Decoration executed in bas-relief. The motif is undefined due to the fragmentation of the inscription plate.)
X-M.1.2 + (Double-profiled, prominent edge of the inscription plaque.)
PP-31.6.3 + (dvije palmine grančice)
PP-31.6.2 + (franjevački grb u kartuši)
PP-19.19.1 + (In the center of the lintel beam, a coat of arms is carved in relief, separating the roman numerals of the inscribed year.)
X-M.1.11 + (In the middle of the architrave, between the date, there is a relief depicting the Christogram with a cross, inside a flaming circle.)
PP-21.1.1 + (Inscription is engraved on the back of the main altar of the parish church.)
PP-21.2.3 + (Inscription is found on a monument in the … Inscription is found on a monument in the form of an aedicule with a triangular gable. In the middle of the gable is a relief cross. Along the triangular conclusion of the gable on the lower side is a cymation, and on the upper side are acroteria in the form of spherical triangles.oteria in the form of spherical triangles.)
X-M.1.12 + (Inscription plaque with a profiled edge.)
PP-8.3.4 + (Ispod natpisa se nalazi grb s tri šesterokrake zvijezde.)

PP-3.1.1 + (molded edge, painted letters)

PP-31.5.1 + (mrtvačka lubanja s kostima)
PP-31.5.2 + (mrtvačka lubanja s kostima na vrhu i listovi na dnu)
PP-31.5.3 + (mrtvačka lubanja s kostima na vrhu i listovi na dnu)
X-M.1.4 + (Multiple-profiled, prominent edge of the inscription plaque.)
PP-31.20.2 + (obrub koji označava natpisno polje)
X-M.1.7 + (Profiled edge of the inscription plaque.)
PP-14.1.3 + (Profiled edge of the inscription plaque. The letters are engraved and painted black.)
X-M.1.5 + (Profiled, prominent edge of the inscription plaque.)
X-M.1.3 + (Single-profiled edge of the inscription plaque.)
PP-21.1.3 + (The altar of the Blessed Sacrament is desi … The altar of the Blessed Sacrament is designed as a shallow relief altar of architectural type. The main part of its construction are the columns bordered by two pilasters filled with various decorations. The inner pilasters support a triumphal arch in whose triangular segments are angels with chalices. Through the arch one enters a space resembling a chapel vaulted by a dome, an effect created by perspective shortening with which especially helps the motif of the tiles on the floor that are geometrically shortened. Two angels with censers are also sculptured in this space and at its end is a carved tabernacle in the form of a small altar, under whose doors the two little leaves are carved in front and at the end of MDLX inscription. Nina Kudiš Burić wrote an article about this altar claiming it is a copy of the contemporary altar in the chapel of the Blessed Sacrament in venetian church San Trovaso made by workshop of Jacopo Sansovino in colaboraton with Alessandro Vittorio.o in colaboraton with Alessandro Vittorio.)
PP-21.7.1 + (The church of St. Catherine of Alexandria … The church of St. Catherine of Alexandria is located at the eastern exit from Svetvinčenat and is a beautiful example of Istrian Gothic architecture with an open roof and a square apse with a pointed vault. The church was built at the beginning of the 15th century and was soon painted. The wall paintings with the theme of the life and martyrdom of St. Catherine, as well as the Christological cycle, are the work of a painter educated in northern Italy. The lopica (portico) in front of the church was built in the 18th century, as evidenced by the inscription carved on the pillar in the right corner. carved on the pillar in the right corner.)
PP-21.2.1 + (The church of St. Vincent is a cemetery ch … The church of St. Vincent is a cemetery church with a hall floor plan, with three inscribed semicircular apses, filled with excellent wall paintings from the 13th century made by the master Ognobenus Trevisanus. They are executed in the style of the transition from Romanesque to Gothic, but some paintings are of a later date. In older literature St. Vincent is identified as a monastery church, but more recent research shows no evidence for this. Several tombstones with full text or only tool marks or family signs have been preserved in the church. This grave slab broken into three parts is located southwest of the main altar. It has no decorative frame. The inscription is carved in the upper part of the slab.n is carved in the upper part of the slab.)
PP-21.1.13 + (The grave slab of rectangular shape has a lifted inscription field.)
PP-21.7.2 + (The inscription in form of the year is carved on one side of a square holy water font, which on the opposite side has a carved wheel with knives, a torture device for this female saint, and on the third side a relief of a cross.)
PP-18.7.1 + (The inscription is carved into a massive beam installed above the main entrance to the church, functioning as a lintel. The year of construction is inscribed in Arabic numerals. There are no decorations.)
PP-18.1.9 + (The inscription is carved into the lintel … The inscription is carved into the lintel of the sacristy, within an inset rectangular field with a profiled edge. The field containing the inscription is smooth, while the rest of the lintel is bush hammered. The letters of the inscription are painted black.ters of the inscription are painted black.)
PP-18.1.8 + (The inscription is carved into the lintel … The inscription is carved into the lintel of the sacristy, within a rectangular field with a profile along the edge. The field containing the inscription is smooth, while the rest of the lintel is bush hammered. Most of the letters of the inscription are painted in black, except for the beginning of the text on the left side.he beginning of the text on the left side.)
PP-18.1.1 + (The inscription is carved into the lintel … The inscription is carved into the lintel of the main entrance to the church and on the beam above, on the church’s western facade. Above them is a stepped, profiled cornice.The lintel's front and underside, as well as the upper part of the doorposts, are decorated with elliptical fields in shallow relief. The inscription is painted in black.lief. The inscription is painted in black.)
PP-18.1.3 + (The inscription is integrated into the bap … The inscription is integrated into the baptismal font, which is embedded in the northern side wall of the church. The stone container for the baptismal water is prominently highlighted in a semi-circular shape. Below the container is a head of an angel with wings, supporting the container, and above it is a shallow niche. At the bottom of the niche, there is an inscription carved in a rectangular field, with the letters painted in black. Above the inscription are wooden doors with a gilded trim, depicting the scene of Christ's baptism. At the top of the niche, the motif of the angel's head is repeated. Above it, there is a multi-profiled cornice, and in the center above the cornice is the family coat of arms (three dolphins in a circle) of the podestà Serena Sereni. The upper, vertical part of the baptismal font is adorned with colorful marble cladding. On the sides and at the top, the font is decorated with reliefs of vegetal motifs that form volutes.liefs of vegetal motifs that form volutes.)
PP-18.1.7 + (The inscription is located on a relief dep … The inscription is located on a relief depicting the Lamb of God on one of the sides of the pulpit. The stone pulpit is situated along the northern side wall of the church. It stands on six pillars that end in Corinthian capitals, decorated with acanthus leaves that curl at the top, forming volutes. The pulpit is hexagonal. Five sides consist of enclosing panels, while the sixth side is open, serving as an entrance accessed by a stone staircase.The panels of the pulpit are adorned with reliefs on the exterior. The first panel features a depiction of a cross with vegetal motifs (vine). The next panel is decorated with floral and leaf motifs, and in front of it stands a stand for a book. The small column supports an eagle (the symbol of St. John the Evangelist) with outspread wings, on which the book stand leans.The following panel depicts St. Sophia as the protector of Dvigrad, holding models of two cities in her hands. The fourth panel contains a depiction of the Lamb of God (Agnus Dei), which holds a triumphant banner shaped like a cross. The last panel faces inward and is not visible from the outside; it depicts the Virgin Mary on a throne. In her right hand, she holds a book, while with her left, she holds the Child Jesus on her lap, who is holding an apple in his hand. lap, who is holding an apple in his hand.)
PP-18.13.3 + (The inscription is located on a semi-circu … The inscription is located on a semi-circular stoup fixed to the wall. It runs along the upper edge of the vessel for blessed water, while the year (inscribed in Arabic numerals) is carved on the outside. Inside the vessel, at the bottom, there is a Greek cross.el, at the bottom, there is a Greek cross.)
PP-18.13.1 + (The inscription is located on the altar (of St. Peter?) raised on steps. It is carved on a rectangular subpedaneum, above which rises a rectangular stipes covered with multicolored marble inlays. The letters of the inscription are painted in black.)
PP-18.4.3 + (The inscription is located on the rood screen of the church, divided in half, with parts on both the left and right sides. It runs along the multi-profiled beam of the rood screen, which rests on pilasters and columns.)
PP-21.1.14 + (The inscription is located within a lunette built together with the door, whose profiled lintel with dentils and pilasters serving as doorposts shows typical features of the 16th-century Renaissance.)
PP-18.19.3 + (The inscription is on a window, secondary … The inscription is on a window, secondary installed in the garden wall of the parish house. The window is in the form of sharp-edged eliptic ring, with profiling on both the inner and outer sides of the frame. Radially arranged lines are carved on the shorter, side edges. The inscription is located within a rectangular field placed on the upper side of the window frame. Two metal bars are installed in a cross pattern within the opening.led in a cross pattern within the opening.)